Lauren Housley is a true ‘Girl From The North‘ growing up in Rotherham and then moving to Newcastle and Manchester. Her musical journey began with releasing ‘The Beauty of This Life‘ and the tracks ‘Sweet Surrender‘ and ‘Ghost Town Blues‘. From there Lauren played at Blues Fest at the o2 and Nashville’s American Fest. Lauren then followed this up in quick succession with many gigs to build her reputation as a phenomenal troubadour. Then in April 2021 Lauren released ‘Girl From The North‘ an album that showcases her extraordinary range as country/americana singer, songwriter and lyricist.
In this podcast Lauren sits down with host CloudwatcherUno over a glass of wine to talk about how much her life has changed since those dreams of being a musician as a young girl in Rotherham. Two pivotal moments in her life has to be getting married to her friend and fellow musician Thomas Dibb in their one bedroom flat/recording studio and then the birth of their son Noah. Lockdown actually produced some extraordinary changes in Lauren’s life.
My favourite tracks from are ‘Whats Troubling You Child?’ which I first heard on Bob Harris’s Country Show on Radio 2, ‘This Ain’t The Life‘ and ‘Stay Awake To Dream‘. The new album was produced with the help of Mark Lewis who previously worked on Lauren’s previous singles. So many female artists have inspired Lauren by proving that you can have a family life but also carry on with the life of a touring musician.
Falling in love with Newcastle when Lauren was auditioning to get into university and a really strong feeling that this was the place she wanted to spend the next three years of her life and then met her best friend and then her future husband Tom also moved there to study music (they had met in college). Then spent the next five years gifting and learning the craft of songwriting. Lauren was inspired by the jazz, blues and roots music and then felt the need to grow and needing a change moved to Manchester.
The studio has now moved from Rotheram to the Yellow Arch Studios in Sheffield. During the lockdown Lauren and Tom performed ‘Tuesday Night Live‘ from their kitchen a unique live-streaming experience for fans and share their music and songs from the album. One of Lauren’s favourite moments as a musician is to hear the songs in her head and bring them to life and share with the world. For the future Lauren will be playing at festivals across the country and promoting the album when touring the country in November/December 2021.
Click below to hear the podcast from CloudwatcherUno featuring Lauren Housley. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Coleman Williams has country-western music bubbling away in his DNA while also bringing the energy and excitement of punk rock sensibilities to his music, his lyrics and ethos of his strange band.
“Music to me is like a way to communicate to anyone and anything even if you can’t understand each other. Music is the Universal language”.
CloudwatcherUno and Coleman talk about how every living thing responds to the frequency of music and if you just search on the Internet you’ll see cows loving music, the subtleties and complexities of the English language and literature. And how the written word is his true love and how he combines that with music. Using his music to express his views on love to other people.
Doc Watson’s music can transport Coleman through the power of musical time travel to his childhood running around barefoot and fishing with his friends. Music especially live music whether it be in a basement or a concert it is one of the best things that the young Coleman enjoyed and it is that joy that he tries to bring to his music. About a month ago Coleman got to experience some live music at a La Honda Records event with the Local Honeys, Vincent Neil Emerson and Riddy Arman.
Coleman’s music almost always has two versions this stripped down version and the band version and this is how he sees himself as a country artist who is willing to experiment and branch out. An artist is an artist and it is unfair to pigeonhole artists into categories dreamt up by marketing teams of big monolithic music labels. Artists shouldn’t have to apologise for trying to branch out into rock or metal or punk when audiences only see them as country music artists.
Coleman knows that he will have made it as an artist when he gets to play with artists that he loves, respects and idolises and then can collaborate with those singers and songwriters to produce music that is unique thrilling and experimental that delights audiences around the world. Being respected by his peers and the music scene now he will know that he has made it in this world of music.
Coleman loves his father and deeply respects his grandfather and especially his great-grandfather and wants to be an artist in his own right who is related to all the amazing musicians in his family but is known for the music he wants to produce and showcase to the world. If you haven’t realised by now Coleman’s great-grandfather is Hank Williams, his grandfather is Hank Williams Jr and his father is Hank III.
Coleman’s song ‘Son of Sin‘ It is his calling card to the music world that he is his own artist and not just a relation to one of the greatest country western legacies that still resonate today in 2021. Coleman’s forthcoming album and music will be a country record with elements of other music genre’s.
Coleman talks about how Hank Williams is still not a member of the Opry. Hank Williams has been synonymous with the country music institution. Williams remains a former member of the Opry. It’s a mistake that has continued to be made for the last 60 years. There are many organisations that pay reverence to the name of this classic country-western artist but show a lack of respect by their lack of action or monetisation of the Williams name.
More and more in this age, tradition and respect mean nothing and the all mighty dollar and disneyfication of what was supposed to be music in all it’s rich and varied history has been left behind. Coleman talks about this and how music is no longer the main reason for tourists to come to Nashville. Born and bred in the city, Coleman has seen with his own eyes all the changes generally for the worse that has taken over the city that he loves.
Coleman’s mission as he sees it is to help country and western music grow through the influences of other genres so that it doesn’t wither and die and country music needs to grow and change. Artists like Coleman are leading a renaissance in what it means to be a country and western artist in 2021.
Coleman is looking forward to performing with his strange band in the summer and autumn and perform in front of fans scratch that actual fans instead of just online shows. Long may Coleman and his band continue to make music that excites and brings joy to fans across the world.
Click below to hear the podcast from CloudwatcherUno featuring Coleman Williams. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Brandon Padier sits down with host CloudwatcherUno as they talk about the inspiration behind his albums ‘Brothers Of The Flood‘(2020), ‘Rock and Roll Heart of Gold‘ (2019) and ‘To God Be The Glory‘ (2018) such songs as ‘Once Again (I’m Alone)‘ ‘The Hardest Thing‘ and ‘To God Be The Glory‘ his musical history of being in the band ‘Adopted Kids‘, and how being the guitar player led to him becoming a singer. His musical influences such as The Beatles, Jason Isbell, Neil Young, Tom Petty, The Band and The Grateful Dead are evident in the songs that he has released.
For a self confessed introverted personality Brandon comes to life when talking all things music, art and culture. Taking that first step into song writing was only natural after having written the songs themselves. we talk about how music is a universal language and his love of playing instruments such as the piano and trombone and especially those that challenge him especially the fiddle and the sitar.
Brandon is working on his new album and is being influenced by The Byrds, Wings era McCartney. The songs for this album are akin to tackling life in these pandemic times and universal concepts of isolation. The magic will be turning these simple concepts but turning them into something incredibly profound.
Click below to hear the podcast from CloudwatcherUno featuring Brandon Padier. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Willi Carlisle is what the world wants, what the world is waiting for, he is the poet of the Ozark Mountains, the lyricist of Arkansas who has graced us with such songs as ‘Cheap Cocaine’, ‘The Cuckoo’ and ‘Stone County’ all of which you can find in this latest podcast with host CloudwatcherUno. If you were in any doubt to the talent of this folk singer then listen to his EP ‘Too Nice to Mean Much‘ and album ‘To Tell You the Truth‘ it will stir joy and happiness in even the most sceptical mind. There is no doubt that Willi is an artist that he belongs alongside the heroes of yesteryear.
‘THE BEST AMERICANA ARTIST YOU’VE NEVER HEARD OF’ ~ THE GUARDIAN
Willi is a musical poet, playwright and songwriter come down from the mountains to bring the music of the heavens to this world. His blend of old time music, banjo plucking, fiddle playing and accordion brings a southern sensibility to tunes that are timeless.
Following in the footsteps of Roscoe Holcomb, Janie Hunter, Ralph Stanley and Glenn Ohrlin. Willi has travelled the country, Canada and the UK to showcase his unique talent. A storyteller at heart he has gathered legion of fans by appearing on the coveted Western AF videos, this video channel has become a focal point for all those listeners who wonder where they can find true folk/country music.
‘THE MAN’S ENERGY IS BLINDSIDING, HIS SONGWRITING IS TERRIFIC, HIS HEART IS BIG ON EVERYONE’ ~ WESTERN AF
In the podcast we learn about Willi’s love for being a Square Dance Caller and an auctioneer and being able to find his voice and express that through his music. We talk about what it means to be singing folk songs at punk venues, protest songs in response to the death of Michael Brown Jr, reinterpreting traditional music for a younger generation and the relationships between rural and urban communities.
Click below to hear the podcast from CloudwatcherUno featuring Willi Carlisle. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
John Smith is a Spotify sensation having amassed over 40 million streams for his songs. On the podcast host CloudwatcherUno spoke with John about his childhood, his musical influences and his sixth album ‘The Fray’ which is released on Friday 26th March 2021 via Thirty Tigers.
Having become a professional musician at the age of 22 and playing pubs and clubs for three years, John started to make a name for himself. He became known for being a virtuoso guitarist, exceptional lyricist and singer with the kind of voice that is dripped in velvet. He crossed paths with Cara Dillon and Lisa Hannigan and started touring all over England, Ireland and Australia as a side man while making his own records. His reputation as a session musician grew as he played for Lee Ann Rhimes, Roseanne Cash, Joan Baez and Tom Jones.
Starting off playing with the piano, then drums John settled for the guitar as his instrument of choice and has been playing this iconic instrument and has been a good friend to him for the last 27 years. Growing up John spent his time day dreaming at school, getting terrible grades and generally hating the experience until he went to University to study music and then out into the real world where he could do whatever he wanted.
John is a man on a mission to save your ears from the tedium that passes for music out there on the internet. His sixth album was written as a response to the cards that life had dealt him at the beginning of the pandemic in 2020. Having had his remaining gigs in Australia cancelled followed by distressing family heartache there didn’t seem much hope of retrieving his life as a touring musician.
John had one remaining card to play and in September 2020 he went back into the studio to begin work on his new album. With the help of long time friend and producer Sam Lakeman life was breathed into songs that began life on paper. The album is a testimony to the craft of song writing, arrangements and production that has been John’s signature sound.
Smith reached out to fellow musicians across the world to record remotely or virtually onto the album – Jessica Staveley-Taylor of The Staves, Sarah Jarosz, Courtney Hartman, The Milk Carton Kids, and Bill Frisell from the Americas and Smith’s frequent touring partner Lisa Hannigan via a virtual studio session in Dublin and others added their magic to the album.
‘The Fray’ is a truly phenomenal album, that shows what it’s like to be vulnerable, to hold onto the dream of love when the reality and hard times has driven that to collapse.
John’s voice is the key to this album it takes your hand and carries you into a world that reflects the trails and tribulations of living life in the 21st century. ‘Friends’ is a love story to the bonds of friendships and all those souls who have come and gone and still mean that much in our lives. It showcases exquisite lyrics delivered by a voice from the gods. ‘Hold On’ is a beacon to us all that better times are coming and that we shouldn’t give up but find the will within ourselves to carry on living. ‘Eye To Eye’ is a plea to make things work out and making things right between lovers when all that remains is silence. ‘Deserving’ is the most honest song about love, heartbreak and wanting to be deserving of being in a relationship with another human being.
Update: On 28th March 2021 John played a show for fans to celebrate the release of the album. It was streamed live around the world by Mandolin as John performs from the legendary Yellow Arch Studios in Sheffield.
Click below to hear the Artist Showcase podcast from CloudwatcherUno featuring John Smith. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Matthew Fowler’s first album ‘Beginning’ was released when he just turned 19 and he hasn’t looked back since. That’s the record that made his name in music. In this podcast host CloudwatcherUno sits down with Matthew to talk about his journey not only as a musician but as a documentarian, his love for all things Japanese including Godzilla and Akira, why modern movie trailers ruin the movie going experience, Star Wars and his love of Glen Hansard’s music. We get to listen to ‘Blankets’ and ‘Beginners’ from that first album. His next album will be released by Signature Sounds in Massachusetts later this year.
Matthew started his life as a touring musician with fellow singer and friend Reggie Williams and got see the great American landscape. He’s also collaborated with The Prado Sisters on his first album ‘Beginning’ and have played woodwind instruments on the the upcoming second album. Another passion of Matthew’s is being as a videographer/documentarian and it’s his favourite way to travel filming bands such as ‘Just Neighbors’ on tour in Japan.
“PLAYING MUSIC LIVE IS A VERY FULFILLING EXPERIENCE”
Matthew’s music is authentic and you get an immediate reaction that connects you as an audience to something that’s real and fills your head with the music that dreams are made of. It’s like having your life put to music and the soundtrack is one that other travellers can enjoy. Matthew follows in the footsteps of Ryan Adams, Damien Rice, Ray LaMontagne and especially Glen Hansard.
Glen’s music has been such an influence on Matthew and how you can be a vulnerable artist working in the top tiers of music but still remain a normal human being who you could drink and hang out with. Having met Glen quite by accident when going to one of his gigs, Matthew is determined that one day he will collaborate or tour with his idol.
Music is a language that is spoken all over the world and Matthew can speak it fluently. For the future Matthew is excited for the world to open up again so that he can start touring and promoting his sophomore album when it is released.
Click below to hear the podcast from CloudwatcherUno featuring Matthew Fowler. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts
Darling West are the cosmic folk duo hailing from the land of Norway who have released Spelleman-winning (Norwegian Grammy) album ‘Vinyl and a Heartache’ and such hits as ‘Rolling On’, ‘Traveller’ and ‘The Sweetest Tune’. Host CloudwatcherUno sits down with artists Mari and Tor Egil Kreken to talk about their music, gorgeous lyrics and phenomenal harmonies and melodies. In the podcast Darling West perform live acoustic versions of ‘Rolling On’ and ‘Loneliness’ and there’s also the album version of ‘The Sweetest Tune’ that starts the show.
Darling West started life as folk trio with very dramatic thoughts on how they would be a band and ended up more into cosmic folk territory with electric guitars, drums and the banjo. Tor plays claw hammer style banjo like his Appalachian heroes of the US. Darling West’s sound started out as an interest in old fiddle tune time songs with mountain folk vibe similar to the music from the film ‘O Brother Where Art Thou?’ It was a jumping off point for the band to start their exploration of building and writing their songs.
The last EP ‘Interpretations’ explores their love of pop tunes through a country landscape. The music on the EP brings them joy and that translates to the listener when they hear the tracks ‘Don’t Start Now’, ‘Pamela’ and ‘Bulletproof’. It’s a way of expanding their audience’s expectations of the band. It was a challenge to find the tenderness within the original lyrics and the almost harsh production style and reimagine with a much softer gentler interpretation.
Darling West also bring their sound to life by showcasing their music through their Friday Sessions cover videos available on YouTube and Instagram. They bring the joy of their music by collaborating with fellow artists such as Hayde Bluegrass Orchestra. The ‘Friday Sessions’ started out as a response to the duo experiencing the lockdown in Norway and not being able to go out but still wanting to connect with their fans and audience. It’s a lot of work learning a new song every week and then record it flawlessly as a live video to such a high professional standard. Don’t expect the sessions to continue forever though as the duo need to work on releasing their own original music.
One of my favourite songs from the album ‘We’ll Never Know Unless We Try’ is ‘Home’ written by Tor Egil with Mari in their family’s cabin and was a song that just came out so easily and encapsulates the cosmic folk catalogue of Darling West. You can feel the influence of Gillian Welch in the lyrics and it sounds like poetry put to music.
The duo have adapted as well as they can to having to put touring to one side and have now been able to focus on the Friday Sessions, their songcraft and building a nice home for themselves to create an atmosphere conducive to blossoming their creativity. Without the pressure of trying to make a Darling West record has enabled them to explore different genres, sounds and musicality.
Growing up Tor Egil started off wanting to play football but that obsession was overtaken by learning to play the guitar while listening to his older brothers record collection. In junior high school reading about musicians playing their instruments and touring with their bands, Tor Egil knew this was going to be his life. When Mari and Tor met 15 years ago, Mari didn’t even play an instrument. Mari always enjoyed singing and her father always sang as a way to relax. There was always country music on the radio. After 7 years together Mari also wanted to become a part of the musical community in a real way and bought her first mandolin. It took a lot of practice before Mari felt that she had the sound she wanted from her instrument and could call herself a musician. It was all worth it as the duo have released four albums showing their incredible virtuosity, skill and range in producing stellar music.
Mari and Tor Egil don’t right formulaic music or middle of the road tunes for them there is no formula that they stick to. They want to keep their music as alive as possible and act as a homage to the Norwegian mountains. Speaking metaphorically if they found themselves in lifeboat having to recue their songs then they would save ‘Darling West’, ‘Vinyl and a Heartache’, ‘Someone Like You’, ‘Rolling On’, and River.
Darling West are at the forefront of the Nordicana music scene and bringing their own twist to the traditional Americana/ Appalachian music that’s been produced and being released. Their music is full of guitar, banjo and pedal steel which envelops the listener transporting them to a mythical country and western world. Going forward the duo want to focus more on their own song writing and they have more time to really record the songs they want in the style and production that showcases their music the best. A new album will arrive and when it does you know it’s going to be fantastic.
Click below to hear the podcast from CloudwatcherUno featuring Darling West. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
CloudwatcherUno speaks exclusively with David Jameson an American singer-songwriter from South Bend, Indiana. Through collaboration with Radio West Virginia he has released videos that perfectly capture his blend of American roots music styles including folk, old-time, and outlaw country.
Who Is David Jameson?
Right now, I live in Texas. During the last five to ten years, I’ve been living all over the world, but I grew up in the Heartland. A lot of my music influences are classic country and traditional Appalachian music, Bluegrass and old time music.
How excited are you in sharing new music this year?
I’m very excited. There’s really no other way to think about it. The songs have been really well received by everyone who has listened so far. I’m excited to share them more broadly.
How are you finding the process of releasing music during the pandemic?
It’s certainly a bit more difficult. Travelling and recording in the studio can be difficult while trying to socially distance and wear masks, especially for me since I am a singer. With almost any other instrument, the musician can wear a mask, but I can’t at least when I’m singing so I keep it on all the time and take it off right before I sing. After I finish, I put it right back on.
What was it like writing and recording ‘Sherman’s March’?
I was in West Virginia and had just visited WB Walker on the Old Soul Radio Show. I popped over to Boone County, West Virginia to record this video out in the holler amongst the trees. It was a beautiful location, and I was surprised that we were able to get such high quality audio because it was quite windy. My fingers are not used to playing out in the freezing cold, but it was a beautiful spot to hang out and play.
Tell us more about the video and how was it produced?
John Price of Radio West Virginia (RadioWV) and I walked out into the woods with a camera and a microphone, and we tried to find a spot that wasn’t too windy. And we scouted around, set up the microphone and plugged in my guitar so that we could get a clearer sound, and finally we got around to shooting the video.
You’ve talked a little bit about Radio West Virginia, can you talk more about your connection with them?
I’ve been a fan of Radio WV for quite a long time. John and Draven promote a lot of talented regional artists, and they do beautiful videos out in the woods of West Virginia. The musicians are fantastic. They’ve done videos with Charles Wesley Godwin, Drayton Farley, Cole Chaney, Logan Halstead, and many others. All of them sound great, and their videos have been really popular with people across West Virginia and beyond.
You already released ‘Tall Dark Pines’ through Radio West Virginia so what was that like?
It was great to get down to Dingess and Boone County, West Virginia. I’ve been to Tennessee and Kentucky but never to West Virginia, and it’s a whole different place. It’s gorgeous. A lot of the good murder ballads come from Appalachia. ‘Tall Dark Pines’ is very much inspired by traditional American music like the song ‘In The Pines’ or ‘My Girl’ depending on who sings it be that Lead Belly, Nirvana, or somebody else. ‘In the Pines’ is very much about the pines, and my song pays homage to that so it was very cool to sing it amongst the pines, out in the woods where the majority of the song takes place. Plus, ‘In The Pine’s is also a murder ballad of sorts, but the traditional song is much more gruesome than mine, even though mine is pretty explicit.
Do you sing any happy songs?
Yes, I sing happy songs for sure! My music reflects the range of experiences that you might have in life. The things that happen in real life are the strangest. ‘Tall Dark Pines’ is based on a murder that happened in my home town in Indiana. I put that story down in a song just like they did in the original murder ballads from the early days of the US. The truth of the story makes it all the more haunting.
Can you explain what your sound is?
The best way to describe my sound is that I’ve been channelling some of the early sounds of the United States including an Irish influence in the vocals and chord structures. I try to bring those storytelling songs into a modern era, so they may feel a little old but they still are relatable to people of today.
Do you think an artist now can afford to be just in one genre of music or should they cross genres?
I’m not sure what an artist should or shouldn’t do, but for me each song writes itself and sometimes a song calls for a slightly different sound. Some of my songs have come out as more of a rock song while others are more traditional country tunes in the Carter Family style with the Carter scratch.
Can describe the feeling that you get from actually having released a song from beginning to end?
Finally getting a song out is a relief. A lot of time goes into writing, refining and recording the song and preparing everything around the release. When the song gets out there you can finally let the bird fly.
You released a song called ‘South Bend Town’ and you were raised in South Bend, Indiana what was that like?
It was a really cool experience. I have lived in Texas off and on for a long time so going back home to South Bend was great. I enjoyed meeting some of the music community there who play music locally and nationally. I was starting to write the music for the album at the time and I thought that it would be more interesting to do something for the community. When I mentioned that idea to other people and they were super excited about it and wanted to join the project. Then I ended up recording with a number of artists who are popular locally and nationally including the guitarist from Umphrey’s McGee who is from South Bend, Jake Cinninger. I also met other artists who didn’t lay down tracks for the song, and they provided their invaluable guidance. In particular, The Bergamot and Francis Luke Accord have been very helpful. The song was received really well in South Bend and beyond with 20,000 plays across 50 different countries. In South Bend, a lot of people wear the South Bend Town t-shirt. Some of the kids especially my nieces and nephews sing it constantly because it’s very catchy and specific to South Bend. In South Bend, it’s had a big impact!
It’s a great song. Sounds like you had a lot of fun.
I had a lot of fun making this song.
Growing up did you always want to be a musician?
What kid doesn’t want to be a musician? It’s kinda like wanting to be an astronaut. Seems cool, not really sure how to do it. I don’t know if I intended to be a musician but I always played. I played with my family, and I played in bars in China when I was living over there. In China, a friend dragged me to go try out for a TV show, and we ended up making it on to the show. Then I thought maybe I could do something with my music, but back then I was singing covers in Chinese. Singing somebody else’s songs doesn’t have the same emotional punch as singing my own songs so I wanted to come back to the US and write my own stuff.
Tell us more of you being a western singer but to a Chinese audience.
It’s certainly a unique experience and in particular for me as a singer. I really like a lot of the Chinese music especially the folk music. It’s weird singing it though. Even though I can say the words and understand them, they don’t have the same impact on me. Like the word love doesn’t have the same emotion depth in Chinese because I don’t have all the experiences attached to the word. For example, as a baby, my mother said the word love to me many times in English, but no one said that to me in Chinese. So trying to sing a love song feels a bit empty emotionally. It doesn’t have the same kind of emotional release as it does for me in English. I have to think about it a lot more deeply to feel the meaning.
What’s your instrument of choice?
Definitely the guitar.
And how long have you been playing the guitar?
I’ve been playing the guitar for well over a decade. When I was younger I played the piano but I wanted something that was more mobile because I knew that I would be travelling around quite a lot. And more recently I’ve inherited my grandfather’s banjo so I’ve been learning that as well but I’m not ready to perform with that as of yet.
What kind of music inspired you and has stayed with you now?
Certainly singers like Johnny Cash and Elvis. They sing more in my range especially Johnny Cash. Very few singers today sing in that range. Many singers now have high voices and that’s just not my range. As a kid, Johnny Cash was one of the few singers that I could sing along with and the same with Frank Sinatra. I really liked those artists because I could actually sing and perform their songs and sound like the record.
What’s it been like for you as an artist not to be able to perform in front of an audience in these strange times?
It’s a lot like performing in front of TV where I wouldn’t really perform in front of anybody and sometimes there might be a studio audience of a couple of hundred but most of the audience would usually be behind the screen. So performing and recording these videos with Radio WV just feels normal, but certainly not being able to perform in front of a live audience and seeing their response changes the way that I write because I’m not getting the feedback from a larger audience.
What do you think fans get from your music?
It depends a lot on the song. Often I start with an emotion or a story that’s actually happened and think about how that actually makes me feel or how would it make a person in that story feel. Everything from the music to the lyrics, it’s all meant to create a feeling within the listener. Whether it be angry, sad, happy or nostalgic, I try to take that emotion and carry it through the whole song and the production.
And what songs do you feel have connected for you and with an audience?
The song in the last few years that made me feel the most was ‘Scarecrow In The Garden’ by Chris Stapleton, it’s a fantastic story about a family coming to America, creating a farm and life becoming more and more difficult as generations pass. The last line of that song still gives me Goosebumps. It’s such a powerful story, and the last line makes you really think about Heaven and Hell. The last lines are ‘There’s a bible in my left hand and a pistol in my right.’ Implying that he’s either going to find solace in the pistol or scripture. It’s a very dark choice. It’s pretty powerful emotionally.
For my music I have a very large extended family and often we’ll have a Zoom call where everyone gets together, brothers and sisters, anyone who can join. I played them all a song based on a family story of my Grandfather who was a Pastor. It’s called ‘Eye for An Eye’ and everybody was crying before I even sang halfway through it. It was pretty powerful to see how much they were moved by it. I’m not sure the average listener would cry while listening this song, but it really impacted my family.
Music is such a powerful experience do you feel a responsibility at all as an artist?
I feel that music should capture the real human experience and pop songs going into the pandemic were only happy songs, but people didn’t feel happy so why would you give them songs that don’t match their emotions. Sometimes you want that sad song. A lot of the old country songs are about real life, and I think that art has to represent real life. People can’t as easily connect with an emotion if it’s not represented in art. If you don’t have words to describe sadness then you struggle to feel it. And you struggle to capture in words what it might be. It’s easy to say this song is what I’m feeling because it’s more fundamental to your emotional state and it captures an emotion that words cannot.
That’s a fantastic answer.
Looking ahead what next for David Jameson?
Still pretty much focused on the album, I’ve yet to come up with a name yet. I’m still getting everything together so I can release in the next few months. This week ‘Sherman’s March’ video will be released on Radio WV and then more to follow. They are great videos and were really fun to shoot.
Checkout the video for ‘Sherman’s March’ by David Jameson with Radio WV.
Adam Larson & Co are both an individual and a band who tell tales of music from yesteryear with a new modern sensibility. Host CloudwatcherUno sits down with Adam to talk about his personal journey into music. We speak about his album ‘ Long Time Coming Home’ falling in love with his song ‘Ain’t Too Old to Still Die Young’ He is such an old soul in such a young body. He has such a warm resonant voice that connects in that space between your ears and a perfect example is shown in ‘These Colors Never Run’ which you get to listen to at the beginning of the podcast. This was released in 2017 and inspired by Sturgill Simpson and the alt country movement.
A lot of years as a solo artist meant that Adam had a variety of songs that were resting in his phone was the gem that is ‘Long Time Coming Home’ an almost a surf rock goth country sound. ‘Trigger’ is also an amazing song inspired from a conversation about a tree. About what that tree had seen written with his wife. Murder ballads are the songs that Adam likes to produce even though he is the most genuinely happy person you’ll ever meet. It’s the perfect audio accompaniment to a spaghetti western.
During this pandemic Adam has also produced the perfect song for this age called ‘Quarantine’ a perfect blend of comedic genius and homage to Willie Nelson’s ‘On The Road Again’. Go check it out on his Instagram page.
We get to listen to listen to the new single ‘Prairie Wind’ it’s a song deeply rooted in the tradition of Jerry Jeff Walker, John Prine and Johnny Cash a tradition of epic songwriters and storytellers. Adam is the latest in the line of these musical heroes and carries forward the torch of this dark, goth country and western music. For the future Adam and the band are working on new material and producing new songs and hopefully the wait for a new full band album will not be too long.
Click below to hear the podcast from CloudwatcherUno featuring Dan Whitaker. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts
James Steinle is a kindred spirit, a spirit that fills your ears with warmth and wonder. In this first episode of the New Year get ready to really listen to a singer whose voice reaches out from the darkness of the ether to transport you to a magical land. A land of music that runs parallel to ours but echoes the long lost songs of yesteryear. His lyrics and songs sound like lost songs from childhood or something that was on the radio when you were growing up but in fact was released in 2020. In this most horrendous of years music has been our saviour and one of those knight errant taking you on adventures is a boy who grew up in Saudi Arabia, lived in Germany and has now gone back home to South Texas.
CloudwatcherUno sits down with James to talk about ‘Cold German Mornings’ his album released in what conventional A&R thinking would be a complete non starter but for James it made perfect sense when else should you release an album that has songs set in snowy Germany than in winter? The album itself is full of gems that sparkle in the night sky, these are not filler songs but ones that have been polished with care and attention, so that a professor of song writing would mark this album with distinction.
We talk about his thinking behind such songs as ‘ Three Dark Kings’ in which James effortlessly switches between his western cowboy drawl to German. Even though you might not know it is being sung and subtitles would be welcome they aren’t necessary as the feeling and music carries you along with this nativity set song.
Then you have ‘Ein Schnapps, Ein Bier’ a song that wraps its way around your consciousness to make you get up and dance and has so infectious a melody that you’ll be singing it in the shower in no time. Then we switch direction again when we listen to ‘The Lusitania’ about the tragedy that befell this ship and the consequences it had not only for those who lost their lives but for the world as it was the catalyst for ensuring that America joined the western powers in WW1 and bring about the defeat of Germany.
On the album James gets to sing with Juliet McConkey whose voice complements his on so many levels. The couple also join forces on the video for their version of “Christmas on the Line” by Michael Martin Murphey.
Other topics of conversation range from he who must not be named who is currently in The White House, to Gun Control, The reality behind The Bluebird Cafe and it’s lack of authenticity and how to reach a global audience for your music in the age of a pandemic. For more of what we discussed you’ll just have to listen into the podcast! So what are you waiting for an invitation? Go listen to James’s music even better go buy his music because we most certainly want more unique melodies and songs from a one of a kind Texas artist.
James has also just released a new song ‘The Ballad of Wan Hu’ to kick off 2021 in style. It tells the trueish story of the Chinese astronaut Wan Hu and his attempt to leave the earths atmosphere on a chair propelled by 47 rockets!
Click down below to hear the podcast from CloudwatcherUno featuring James Steinle. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.