David Jameson, a globetrotting artist, has travelled from the high alpine mines of South America to the prairies of North Dakota and the coasts of East Asia.

CloudwatcherUno speaks exclusively with David Jameson an American singer-songwriter from South Bend, Indiana. Through collaboration with Radio West Virginia he has released videos that perfectly capture his blend of American roots music styles including folk, old-time, and outlaw country.

Who Is David Jameson?

Right now, I live in Texas.  During the last five to ten years, I’ve been living all over the world, but I grew up in the Heartland.  A lot of my music influences are classic country and traditional Appalachian music, Bluegrass and old time music.

How excited are you in sharing new music this year?

I’m very excited. There’s really no other way to think about it.  The songs have been really well received by everyone who has listened so far. I’m excited to share them more broadly.

How are you finding the process of releasing music during the pandemic?

It’s certainly a bit more difficult. Travelling and recording in the studio can be difficult while trying to socially distance and wear masks, especially for me since I am a singer.  With almost any other instrument, the musician can wear a mask, but I can’t at least when I’m singing so I keep it on all the time and take it off right before I sing. After I finish, I put it right back on.

What was it like writing and recording ‘Sherman’s March’?

I was in West Virginia and had just visited WB Walker on the Old Soul Radio Show. I popped over to Boone County, West Virginia to record this video out in the holler amongst the trees. It was a beautiful location, and I was surprised that we were able to get such high quality audio because it was quite windy. My fingers are not used to playing out in the freezing cold, but it was a beautiful spot to hang out and play.

David Jameson recording ‘Sherman’s March’ video with Radio WV.

Tell us more about the video and how was it produced?

John Price of Radio West Virginia (RadioWV) and I walked out into the woods with a camera and a microphone, and we tried to find a spot that wasn’t too windy. And we scouted around, set up the microphone and plugged in my guitar so that we could get a clearer sound, and finally we got around to shooting the video.

You’ve talked a little bit about Radio West Virginia, can you talk more about your connection with them?

I’ve been a fan of Radio WV for quite a long time. John and Draven promote a lot of talented regional artists, and they do beautiful videos out in the woods of West Virginia. The musicians are fantastic. They’ve done videos with Charles Wesley Godwin, Drayton Farley, Cole Chaney, Logan Halstead, and many others. All of them sound great, and their videos have been really popular with people across West Virginia and beyond.

You already released ‘Tall Dark Pines’ through Radio West Virginia so what was that like?

It was great to get down to Dingess and Boone County, West Virginia. I’ve been to Tennessee and Kentucky but never to West Virginia, and it’s a whole different place. It’s gorgeous. A lot of the good murder ballads come from Appalachia. ‘Tall Dark Pines’ is very much inspired by traditional American music like the song ‘In The Pines’ or ‘My Girl’ depending on who sings it be that Lead Belly, Nirvana, or somebody else. ‘In the Pines’ is very much about the pines, and my song pays homage to that so it was very cool to sing it amongst the pines, out in the woods where the majority of the song takes place. Plus, ‘In The Pine’s is also a murder ballad of sorts, but the traditional song is much more gruesome than mine, even though mine is pretty explicit.

‘Tall Dark Pines’ by David Jameson with RadioWV

Do you sing any happy songs?

Yes, I sing happy songs for sure! My music reflects the range of experiences that you might have in life. The things that happen in real life are the strangest. ‘Tall Dark Pines’ is based on a murder that happened in my home town in Indiana. I put that story down in a song just like they did in the original murder ballads from the early days of the US. The truth of the story makes it all the more haunting.

Can you explain what your sound is?

The best way to describe my sound is that I’ve been channelling some of the early sounds of the United States including an Irish influence in the vocals and chord structures. I try to bring those storytelling songs into a modern era, so they may feel a little old but they still are relatable to people of today.

Do you think an artist now can afford to be just in one genre of music or should they cross genres?

I’m not sure what an artist should or shouldn’t do, but for me each song writes itself and sometimes a song calls for a slightly different sound. Some of my songs have come out as more of a rock song while others are more traditional country tunes in the Carter Family style with the Carter scratch.

Can describe the feeling that you get from actually having released a song from beginning to end?

Finally getting a song out is a relief. A lot of time goes into writing, refining and recording the song and preparing everything around the release. When the song gets out there you can finally let the bird fly.

You released a song called ‘South Bend Town’ and you were raised in South Bend, Indiana what was that like?

It was a really cool experience. I have lived in Texas off and on for a long time so going back home to South Bend was great.  I enjoyed meeting some of the music community there who play music locally and nationally. I was starting to write the music for the album at the time and I thought that it would be more interesting to do something for the community. When I mentioned that idea to other people and they were super excited about it and wanted to join the project. Then I ended up recording with a number of artists who are popular locally and nationally including the guitarist from Umphrey’s McGee who is from South Bend, Jake Cinninger.  I also met other artists who didn’t lay down tracks for the song, and they provided their invaluable guidance. In particular, The Bergamot and Francis Luke Accord have been very helpful. The song was received really well in South Bend and beyond with 20,000 plays across 50 different countries. In South Bend, a lot of people wear the South Bend Town t-shirt. Some of the kids especially my nieces and nephews sing it constantly because it’s very catchy and specific to South Bend. In South Bend, it’s had a big impact!

‘South Bend Town’ by David Jameson

It’s a great song. Sounds like you had a lot of fun.

I had a lot of fun making this song.

Growing up did you always want to be a musician?

What kid doesn’t want to be a musician? It’s kinda like wanting to be an astronaut. Seems cool, not really sure how to do it. I don’t know if I intended to be a musician but I always played. I played with my family, and I played in bars in China when I was living over there. In China, a friend dragged me to go try out for a TV show, and we ended up making it on to the show. Then I thought maybe I could do something with my music, but back then I was singing covers in Chinese.  Singing somebody else’s songs doesn’t have the same emotional punch as singing my own songs so I wanted to come back to the US and write my own stuff.

Tell us more of you being a western singer but to a Chinese audience.

It’s certainly a unique experience and in particular for me as a singer. I really like a lot of the Chinese music especially the folk music. It’s weird singing it though. Even though I can say the words and understand them, they don’t have the same impact on me. Like the word love doesn’t have the same emotion depth in Chinese because I don’t have all the experiences attached to the word. For example, as a baby, my mother said the word love to me many times in English, but no one said that to me in Chinese. So trying to sing a love song feels a bit empty emotionally. It doesn’t have the same kind of emotional release as it does for me in English. I have to think about it a lot more deeply to feel the meaning.

David performing on Xing Guang Da Dao in China.

What’s your instrument of choice?

Definitely the guitar.

And how long have you been playing the guitar?

I’ve been playing the guitar for well over a decade. When I was younger I played the piano but I wanted something that was more mobile because I knew that I would be travelling around quite a lot. And more recently I’ve inherited my grandfather’s banjo so I’ve been learning that as well but I’m not ready to perform with that as of yet.

David Jameson a unique artist with a powerful vison for listeners.

What kind of music inspired you and has stayed with you now?

Certainly singers like Johnny Cash and Elvis. They sing more in my range especially Johnny Cash. Very few singers today sing in that range. Many singers now have high voices and that’s just not my range. As a kid, Johnny Cash was one of the few singers that I could sing along with and the same with Frank Sinatra. I really liked those artists because I could actually sing and perform their songs and sound like the record.

What’s it been like for you as an artist not to be able to perform in front of an audience in these strange times?

It’s a lot like performing in front of TV where I wouldn’t really perform in front of anybody and sometimes there might be a studio audience of a couple of hundred but most of the audience would usually be behind the screen. So performing and recording these videos with Radio WV just feels normal, but certainly not being able to perform in front of a live audience and seeing their response  changes the way that I write because I’m not getting the feedback from a larger audience.

What do you think fans get from your music?

It depends a lot on the song. Often I start with an emotion or a story that’s actually happened and think about how that actually makes me feel or how would it make a person in that story feel. Everything from the music to the lyrics, it’s all meant to create a feeling within the listener.  Whether it be angry, sad, happy or nostalgic, I try to take that emotion and carry it through the whole song and the production.

David Jameson from the interview. Photo: CloudwatcherUno

And what songs do you feel have connected for you and with an audience?

The song in the last few years that made me feel the most was ‘Scarecrow In The Garden’ by Chris Stapleton, it’s a fantastic story about a family coming to America, creating a farm and life becoming more and more difficult as generations pass. The last line of that song still gives me Goosebumps. It’s such a powerful story, and the last line makes you really think about Heaven and Hell. The last lines are ‘There’s a bible in my left hand and a pistol in my right.’ Implying that he’s either going to find solace in the pistol or scripture.  It’s a very dark choice. It’s pretty powerful emotionally.

For my music I have a very large extended family and often we’ll have a Zoom call where everyone gets together, brothers and sisters, anyone who can join. I played them all a song based on a family story of my Grandfather who was a Pastor. It’s called ‘Eye for An Eye’ and everybody was crying before I even sang halfway through it.  It was pretty powerful to see how much they were moved by it. I’m not sure the average listener would cry while listening this song, but it really impacted my family.

Music is such a powerful experience do you feel a responsibility at all as an artist?

I feel that music should capture the real human experience and pop songs going into the pandemic were only happy songs, but people didn’t feel happy so why would you give them songs that don’t match their emotions. Sometimes you want that sad song. A lot of the old country songs are about real life, and I think that art has to represent real life.  People can’t as easily connect with an emotion if it’s not represented in art. If you don’t have words to describe sadness then you struggle to feel it. And you struggle to capture in words what it might be. It’s easy to say this song is what I’m feeling because it’s more fundamental to your emotional state and it captures an emotion that words cannot.

That’s a fantastic answer.

Looking ahead what next for David Jameson?

Still pretty much focused on the album, I’ve yet to come up with a name yet. I’m still getting everything together so I can release in the next few months. This week ‘Sherman’s March’ video will be released on Radio WV and then more to follow. They are great videos and were really fun to shoot.

Checkout the video for ‘Sherman’s March’ by David Jameson with Radio WV.

‘Sherman’s March’ performed by David Jameson with Radio WV

Adam Larson & Co

Adam Larson & Co are both an individual and a band who tell tales of music from yesteryear with a new modern sensibility. Host CloudwatcherUno sits down with Adam to talk about his personal journey into music. We speak about his album ‘ Long Time Coming Home’ falling in love with his song ‘Ain’t Too Old to Still Die Young’ He is such an old soul in such a young body. He has such a warm resonant voice that connects in that space between your ears and a perfect example is shown in ‘These Colors Never Run’ which you get to listen to at the beginning of the podcast. This was released in 2017 and inspired by Sturgill Simpson and the alt country movement.

Adam Larson & Co is an artist you should keep at the top of your playlist.
‘These Colors Never Run’ by Adam Larson & Co

A lot of years as a solo artist meant that Adam had a variety of songs that were resting in his phone was the gem that is ‘Long Time Coming Home’ an almost a surf rock goth country sound. ‘Trigger’ is also an amazing song inspired from a conversation about a tree. About what that tree had seen written with his wife. Murder ballads are the songs that Adam likes to produce even though he is the most genuinely happy person you’ll ever meet. It’s the perfect audio accompaniment to a spaghetti western.

Adam’s music is a blend of traditional sounds mixed with Goth country sensibilities.

During this pandemic Adam has also produced the perfect song for this age called ‘Quarantine’ a perfect blend of comedic genius and homage to Willie Nelson’s ‘On The Road Again’. Go check it out on his Instagram page.

Adam Larson from the podcast. Photo: CloudwatcherUno

We get to listen to listen to the new single ‘Prairie Wind’ it’s a song deeply rooted in the tradition of Jerry Jeff Walker, John Prine and Johnny Cash a tradition of epic songwriters and storytellers. Adam is the latest in the line of these musical heroes and carries forward the torch of this dark, goth country and western music. For the future Adam and the band are working on new material and producing new songs and hopefully the wait for a new full band album will not be too long.

‘Prairie Wind’ by Adam Larson & Co

Click below to hear the podcast from CloudwatcherUno featuring Dan Whitaker. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts

James Steinle ~ A musician to warm the darkest parts of your heart.

James Steinle is a kindred spirit, a spirit that fills your ears with warmth and wonder. In this first episode of the New Year get ready to really listen to a singer whose voice reaches out from the darkness of the ether to transport you to a magical land. A land of music that runs parallel to ours but echoes the long lost songs of yesteryear. His lyrics and songs sound like lost songs from childhood or something that was on the radio when you were growing up but in fact was released in 2020. In this most horrendous of years music has been our saviour and one of those knight errant taking you on adventures is a boy who grew up in Saudi Arabia, lived in Germany and has now gone back home to South Texas.

James Steinle in action.

CloudwatcherUno sits down with James to talk about ‘Cold German Mornings’ his album released in what conventional A&R thinking would be a complete non starter but for James it made perfect sense when else should you release an album that has songs set in snowy Germany than in winter? The album itself is full of gems that sparkle in the night sky, these are not filler songs but ones that have been polished with care and attention, so that a professor of song writing would mark this album with distinction.

‘Cold German Mornings’ by James Steinle from the album Cold German Mornings.

We talk about his thinking behind such songs as ‘ Three Dark Kings’ in which James effortlessly switches between his western cowboy drawl to German. Even though you might not know it is being sung and subtitles would be welcome they aren’t necessary as the feeling and music carries you along with this nativity set song.

Then you have ‘Ein Schnapps, Ein Bier’ a song that wraps its way around your consciousness to make you get up and dance and has so infectious a melody that you’ll be singing it in the shower in no time. Then we switch direction again when we listen to ‘The Lusitania’ about the tragedy that befell this ship and the consequences it had not only for those who lost their lives but for the world as it was the catalyst for ensuring that America joined the western powers in WW1 and bring about the defeat of Germany.

On the album James gets to sing with Juliet McConkey whose voice complements his on so many levels. The couple also join forces on the video for their version of “Christmas on the Line” by Michael Martin Murphey.

James Steinle a knight errant looking for adventure in the world of music.

Other topics of conversation range from he who must not be named who is currently in The White House, to Gun Control, The reality behind The Bluebird Cafe and it’s lack of authenticity and how to reach a global audience for your music in the age of a pandemic. For more of what we discussed you’ll just have to listen into the podcast! So what are you waiting for an invitation? Go listen to James’s music even better go buy his music because we most certainly want more unique melodies and songs from a one of a kind Texas artist.

Having fun with James Steinle on the podcast. Photo: CloudwatcherUno

James has also just released a new song ‘The Ballad of Wan Hu’ to kick off 2021 in style. It tells the trueish story of the Chinese astronaut Wan Hu and his attempt to leave the earths atmosphere on a chair propelled by 47 rockets!

‘The Ballad of Wan Hu’ by James Steinle

Click down below to hear the podcast from CloudwatcherUno featuring James Steinle. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

Dalton Mills, first amongst equals when it comes to singer songwriters.

Dalton Mills soul sparkles so brightly you’ll need sunglasses to go with a Hazmat suit. An exceptional lyricist he’s captured the lives, loss and heartaches of the disposed. Like a later day Chekov or Tolstoy he sings about the lonely souls in society, those who have fallen through the safety net and then kept falling with no end insight. His self titled album ‘Dalton Mills’ explores the stories of those who don’t register on the mainstream, who aren’t able to voice their pain and longing in a world where increasingly they are becoming ghosts.

‘Tornadoes’ by Dalton Mills

In this podcast we get to listen to two acoustic songs from Dalton they are ‘Tornadoes’ and ‘Mountain Call’ from his majestic album. A labour of love for over a year and a half from taking the songs in lyric form and then with the help of friends, recorded in the back of a record store. The album was recorded just at the cusp of the pandemic, any later and we wouldn’t have such songs out in the world.

Dalton Mills is a bringer of light to those dark areas of the world we all need to see.

Coming from rural Kentucky from the small town of Middlesboro, (a city that’s built in a crater!). Dalton has seen his fair share of those who’ve been affected by drugs, mental health issues and those who’ve been abandoned by their families. Not one for happy songs, Dalton expresses more affinity for songs touched by darkness and damaged people, damaged people are often the most dangerous. They know how to make hell feel like home. Dalton follows in the footsteps of his musical heroes Townes Van Zant, Guy Clark, John Prine in writing and performing songs that matter and connects with an audience who want more than just manufactured pop songs.

Dalton Mills performing live.
‘Last Goodbye’ from Dalton Mills. One of the bleakest songs ever put to music. Magnificent!

Picking up a guitar as a high school student has led Dalton down this path of musical greatness. For the last 5 years Dalton’s been writing songs of a phenomenal calibre. One of the bleakest songs ever put to music is ‘Last Goodbye’ a tale of a bedridden soul, who has lost all hope and waiting to see if he will perish at the hands of his carer. It’s a song that will stay with you hours after you’ve heard it. Go listen to this sensational artist who brings words and stories from the darkest corners of humanity to life.

Dalton Mills from the podcast. Photo: CloudwatcherUno

Click down below to hear the podcast from CloudwatcherUno featuring Dalton Mills. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

Veers are (L – R) Andy – lead vocals and guitar, Chris – drums and backing vocals, Nick – bass and Spencer – guitar and backing vocals,

Veers are an Anglo – American band based in Los Angeles. They are a fully formed stadium sounding rock and roll band. Their music is dialled up past 11 and you will want to put to volume way way up on your speakers! The band met through high school and a pool party at Los Angeles. Chris was bar backing when Spencer came in and bemoaning the lack of a great drummer. The rest as they say is history and the current line up has been together for 2 years.

Veers music is full of passion and delivers electrifying hooks to your ears.

We get to listen to two tracks ‘Dials’ and ‘Universal Reversal’ which are off the new album that isn’t released yet. During the podcast CloudwatcherUno discusses with the band the benefits of drinking whiskey as a pre vocal warm up. The sound of Veers is aggressive rock and roll that projects the big rock sound that fills auditoriums with a life affirming way. Everyone brings their unique talents to the band which delivers a chunky jagged melodic sound.

‘Dials’ by Veers

Melody is a key to these heavy songs and that connects these musicians to their fans. Beat driven, harmonies abound throughout their music. Good tones are what will hook you into this band. Their music provides a smile on your face which in these pandemic times is a rare commodity.

Veers performing live in concert.

You can find the influences of Nirvana, Cream and Pete Townsend in these artists. Its the camaraderie between the band that brings out the best in Veers music. It’s a loud heavy music connection that will make the cells in your body crackle with electricity.

Nick, Andy and Spencer from Veers. Chris is pictured below. Photo by CloudwatcherUno from the podcast.
And Chris the Drummer from Veers. Photo by CloudwatcherUno from the podcast.

You can catch the band with new live videos every Friday on YouTube which displays their pyrotechnic guitar playing, heavy drums and vocals to their best. Listening to their music will make you lift your body from this mortal realm and reach musical heaven.

Veers are the real rock and roll deal. Go listen to their music to shake up your playlists.

Click down below to hear the podcast from CloudwatcherUno featuring Veers. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.

Will Purdue in his refurbished VW van which he has used to travel across the UK and will use to travel beyond these shores of Britannia.

Will Purdue is a man of many talents, singer, songwriter, fashion icon (check out the fantastic ensemble he wore on the podcast) and renovator of tour vans (go to @tourbustravels on Instagram for all the detail).

Positivity simply oozes out of every pore from this fantastic artist. Will’s voice is the richest baritone that amazes and spellbinds his audience. Will is a true connoisseur of fashion and heartfelt lyrics enhanced with stunning vocals. His performance on stage comes from a confidence that he wants to show his true self to his fans rather than a persona. Influenced and inspired by Leonard Cohen and Neil Young in his approach to song writing Will has a body of work that just keeps better and better.

In this podcast we get to hear acoustic versions of ‘I Don’t Think We Should Rush In’ and the the new single ‘Heart On Fire’ A Song for Riona & Keith from the band released on 19th October 2020.

‘Heart On Fire (A Song for Riona & Keith) from Will Purdue

This song is both a celebration of the love story of Riona and Keith and their journey together. Aged 34, Riona Kelly fell down the stairs, suffered a rare spinal stroke, and was left paralysed. Her husband then left her whilst she was in the hospital, and she became a disabled single mother of four children. However, not only can she walk, she can jump (and even scoot!). She found love with ex rugby player, Keith Mason, who began helping with her physical recovery, and they kept in touch, and the rest is history. With an incredible amount of perseverance and support, Riona is now walking, and planning to walk 100 miles to raise money for her further rehab.

All of the record sale proceeds will go directly to Riona’s recovery, and any extra will go into a foundation. Will was chosen for the project for his ability to convey both sides of a story within a song, and the track features both the darkness ‘To see the fear in all I hold dear’ and the incredible light of their journey ‘Here we stand, I’ve never been so proud’ The song was recorded on a stunning riverboat studio in London.

The song is out on iTunes and available as purchase only (no streaming, as they need to raise funds).

Will Purdue, an artist of taste and style. Photo: ClodwatcherUno ©2020

Click down below to hear the podcast from CloudwatcherUno featuring Will Purdue. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.

So Are We are songwriters Guro Vikingstad (L) and Stian Haslie (R)

So Are We are a phenomenal duo who are a refreshing change in the world of Americana music. Guro’s voice is precisely the breath of fresh air you need in your music streams. And add Stian’s dreamy guitar and you’ve got a killer combination to make sure you have their songs playing on repeat.

‘LA Love’ by So Are We

In this podcast CloudwatcherUno sits down with Guro and Stian to talk about growing up in their native Norway and being exposed to the English language in all its forms from movies, television and most importantly music. It’s their mutual love of music that brought them together not only as songwriters but as a couple. In this podcast we get to hear two acoustic songs ‘Be Alright’ and ‘Alive Again’ with ‘LA Love’ as a bonus track.

Guro Vikingstad and Stian Haslie from the podcast. Photo: CloudwatcherUno © 2020

We also discuss what it takes for artists to create, produce and release music in these pandemic times and what drives Guro and Stian to want to showcase their sound onto the global stage. Norway has seen an explosion of singer songwriters who have carved out a place for themselves in this uniquely western of genres.

‘Alive Again’ by So Are We

Having just released their latest single ‘LA Love’ from their upcoming album ‘Piece of the Puzzle’ out on 9th October 2020 the talented duo are making sure their musical vision is being heard loud and clear.

‘Piece of the Puzzle’ is the upcoming album by So Are We.

Click down below to hear the podcast from CloudwatcherUno featuring So Are We. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.

William Poyer performing live at Luna, February 2020 ~ Photograph by Matt Bradshaw

William Poyer is as unique as his music. An outstanding lyricist whose words come to life with a passion and haunting elegance that goes beyond poetry into the sublime spoken word of fellow artists Ray LaMontagne and Jason Isbell.

In this podcast CloudwatcherUno sits down with William and discuss his adventures in Mexico City, taking the brave step of moving across the world to find himself and learning to focus on his music and meeting fellow musical souls such as Jairus McDonald and José (Tato) Grageda from the band Peregrino. In those years he learnt a new language, met his wife and they have a beautiful baby boy.

Wiliam Poyer ~ Photograph by Russell Sansom

William has supported Great Lakes Band and Ferris and Sylvester on tour and has performed on stages large and small to connect with audiences with his music. In this podcast we get to hear two acoustic songs ‘Where Do I Begin’ and an unrecorded song ‘Forgiven’ which he will record in the home studio of Ferris and Sylvester.

‘Where Do I Begin’ by William Poyer

For William his passion has always been the acoustic guitar and from there his love of creating hooks, melodies to connect with audiences on an emotional level. William gets to showcase these talents on 10th October by performing in a socially distanced gig at the Old Joinery in Greenwich and a premiere a documentary about artists performing at the Spiritual Bar in Camden on October 22nd / 23rd 2020. Tickets for this event will be out shortly.

William Poyer from the podcast ~ Photograph CloudwatcherUno © 2020

Click down below to hear the podcast from CloudwatcherUno featuring William Poyer. Also available on Apple Podcasts, Spotify, Google Podcasts and many other platforms.

From L to R ~ Jairus, Ian, Eric and José are Peregrino

Peregrino is a distillation of four souls with their own unique musical experiences brought together by the love of music. Music that is cinematic, orchestral, folk and americana with a latin twist. In their latest album ‘Feels Like Leaving’ the band have captured the spirit of Ennio Morricone and the stunning aural landscape of those westerns with lyrics that merge heartbreak, loss, love and desire with an authentic sound that’s hard to manufacture without living these stories.

The latest album ‘Feels Like Leaving’ by Peregrino

In this podcast CloudwatcherUno sits down with Jairus McDonald (lead vocal, acoustic guitar, harmonica) and Eric Miller (electric guitar and back up vocals) you try getting four musicians to be in one place I dare you! We talk about how the pandemic has strangely given these musicians a level playing field in which to focus, write, produce and film videos for their songs. In these times live performances are a distant memory for musicians across the globe so now is the time to reflect and produce art that will inspire, make people dance and warm their souls. This is what we get with the acoustic versions of ‘Fire Away’ and ‘In Your Garden’. We also get to listen to ‘Gather Up Your Daisies’ one of my favourite songs in the album.

The video for ‘Fire Away’ from Peregrino

Are songs poetry, can they be things of beauty? Certainly in some genres the spoken word is given is given life in Hip-Hop but can it work in other genres. The answer is yes especially in Folk Music where the care and attention in bringing a song to life from idea, to the studio and then to an audience takes a certain dedication and arrogance to say to the world ‘Look at This!’ Give me your whole attention from your beer and your phone to listen to such songs as ‘My Revolution Days’.

Sometimes music chooses you or you choose the music. In Peregrino’s case it was a fine line between a life of academia and other paths to one where music in all it’s glorious aspects has now become the only way forward for these musicians. For the future Peregrino will continue to make music and write songs as unique as their shared history and the world is a better place for it.

Click down below to hear the podcast from CloudwatcherUno featuring Peregrino. Also available on Apple Podcasts, Spotify, Google Podcasts and many other platforms.

Chase Crawford

Chase Crawford is the real deal. 100 percent Country and Western, born in Nashville, raised in Alabama, Texas and all the parts in between. As the son of a travelling Pentecostal Preacher who lead tent revivals across the country Chase absorbed all the musical influences from Southern Gospel, Honky Tonk, Rhythm and Blues and Appalachian mountain music which you can hear right now in the EP “The Neon Lights Go on Forever” The album was finished in 2019 but released in 2020.

Chase Crawford

In this podcast we talk about the history of country music from pioneers like Deford Bailey to modern artists such as Mickey Guyton. And how modern country and western music could not exist without such artists and how instruments such as the banjo hailed from West Africa play such a key component of bluegrass music. When hillbilly music became mainstream it was then marketed as that or as a race record. Eventually many of these black artists became overshadowed or forgotten but their influence can be seen in the music that we listen to every day.

Chase Crawford

We get to hear two acoustic versions of songs from the new EP ‘Be Your Johnny Cash’ and ‘The Problem With Angels’ These two songs showcase the breadth and scope of Chase’s talents. ‘Be Your Johnny Cash’ is a love letter to his wife and he sang this to his bride on their wedding day, it features exceptional word play and is crafted like a carpenter may craft an item of furniture from a block of wood with love care and attention. ‘The Problem With Angels’ is a ballad of love and loss in a relationship and the struggle to keep love alive between two souls.

The new EP “The Neon Lights Go On Forever”

The whole EP comes fully formed with not one note, lyric, guitar riff, banjo twang out of place. It took minutes of inspiration, hours of hard work and years of dedication to produce a stunning album such as “The Neon Lights Go On Forever” So go show some support to an artist who truly deserves your love and attention.

Chase Crawford from the podcast Photograph © CloudwatcherUno 2020

Click down below to hear the podcast from CloudwatcherUno featuring Chase Crawford. Also available on Apple podcasts, Spotify, Google Podcasts and many other platforms.