Nick Garza comes from a long line of Texans and it’s this history combined with the music of the great state that influences his lyrics, songs and outlook on life. On this podcast CloudwatcherUno and Nick talk about the stories behind his songs ‘I’ll take another Margarita‘, ‘Muchacha‘ ‘Take me down to San Antonio‘ and ‘Denial‘, We also hear Nick sing acoustic versions of some of the songs and the collaboration process with other artists such as Augie Meyers and Los Texmaniacs.

Muchacha by Nick Garza’s Get Along (feat. Augie Meyers and Los Texmaniacs)

Nick also answers the life-and-death question of which city has the best tacos is it Austin or San Antonio? We talk about how it sometimes takes weeks and months to finish a song and how he uses a voice recorder memo function on his phone to put down ideas for his music. He currently has 2500 voice memos Which all could turn into fully fledged songs.

Denial by by Nick Garza’s Get Along (feat. Kelsey Wilson)

Now that the world is slowly opening up Nick is focusing on releasing singles all the rich would complete his first album and then being able to play those songs in front of a live audience. I for one can’t wait to hear new music from the Tex-Mex legend that is Nick Garza.

Click down below to hear the podcast from CloudwatcherUno featuring Nick Garza’s Get Along. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.

Nick Garza from the podcast. Photo: CloudwatcherUno

Photo: Courtney Sultan

Sam Phelps sits down with host CloudwatcherUno about his new EP ‘Talking to a Friend‘. We talk about sentimentality and nostalgia and how that has influenced his songs, his experiences of playing guitar in different bands and how coronavirus brought those collaborations to an end and began his solo career. Hailing from Kentucky, Sam has been playing guitar since the age of 15 and enjoying the freedom of the country. After living in Austin Texas, an invitation from a friend brought him to New York.

‘I Can’t Sing’ by Sam Phelps’

‘If I ever wrote a song like my heroes I feel that I have made it and that’s all I need.

Sam’s inspiration for his music comes from bluegrass music, Steve Earle And the music scene in New York. Having a little twang in his voice it makes sense for Sam to sing country western music. Sam wants to make honest country music and will continue to do so even with the pandemic making it hard for artists like himself to perform live for fans. Sam has more songs to release and it is going to be a question of time and opportunity to bring them to a wider audience.

Photo: Courtney Sultan

Click below to hear the podcast from CloudwatcherUno featuring Sam Phelps. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.


“Jesus, Red Wine and Patsy Cline, Victoria Bailey’s new album is getting 5 star reviews absolutely everywhere. There’s just not a bad song on it.” Bob Harris, Radio 2 – The Country Show with Bob Harris.

Victoria Bailey’s album ‘Jesus, Red Wine & Patsy Cline’ combines the three things that she feels most defines her right now in the middle of a pandemic. Her love for her faith, a good glass of wine and classic country music from her heroes Patsy Cline, Emmylou Harris, Loretta Lynn, and Dolly Parton. The album was produced by Jeremy Long (released in 2020 via Rock Ridge Music). It’s a timeless classic honky tonk album that announces Victoria as the newest generation of artists to carry on the legacy of those legends.

Victoria Bailey Photo: Stefanie Vinsel Johnson

In this podcast CloudwatcherUno sits down with With Victoria Bailey and we talk about putting out new music, releasing a full album in the pandemic and concentrating on live performances. Two new songs will be released in the coming months, one is an original ‘Queen of the Rodeo’ (there’s also a video that was filmed for the song as well as meetingfilming the real life Rodeo Queen of California Morgan Laughlin) and another is a Randy Newman cover ‘Rider in The Rain‘.

‘Spent My Dime On White Wine’ by Victoria Bailey

LA is not known for country music but it was the birthplace of the Bakersfield Sound that included such artists as Merle Haggard, Dwight Yoakum, Buck Owens and Victoria Bailey has captured that sound in her music and her album. Although Victoria Bailey didn’t grow up with country music, her father’s influence came with rock ‘n’ roll and her mother played folk records but fell in love with country music when she visited Nashville for the first time.

Victoria Bailey: Photo: Stefanie Vinsel Johnson

We talk about inspiration for the ‘Ramblin’ Man‘, ‘Skid Row‘, why outlaws are so charming, why Springsteen is really the boss and whether teenage Victoria Bailey thinks adult Victoria Bailey is really cool or not? Why her voice is her first instrument followed closely by her guitar, looking at touring in England and playing live music.

‘Honky Tonk Woman’ performed by Victoria Bailey
Victoria Bailey on the podcast. Photo: CloudwatcherUno

Click below to hear the podcast from CloudwatcherUno featuring Victoria Bailey. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

Sabine McCalla has a voice that is the lovechild of Nina Simone and Etta James. Yes, that would be impossible but if you could, then ladies and gentlemen, Sabine is the artist who is that golden child. Growing up in New Jersey, Olympia, Washington, Asheville, North Carolina but her heart was crying out to live in a place that has no winter and this is where we find her on the CloudwatcherUno podcast at home in New Orleans. We talk about the back story about her video ” Baby, Please Don’t Go” with WesternAF which was filmed with friends Casey Jane Reece-Kaigler, Sam Doores and Gina Marie Leslie during the Folk Alliance convention, its how I was introduced to her beautiful voice.

Sabine McCalla an artist from a bygone age.
Baby, Please Don’t Go by Sabine McCalla

Sabine’s 2018 EP ‘Folk‘ is full of the first couple of songs that she wrote out of her journals, memories of her first days of New Orleans and is her tales of her heartbreak. New Orleans just started to influence Sabine spiritually, mentally and musically.

Rosalie #9 is Sabine McCalla’s love letter to a lost love.

We talk about the influence of her sister Leyla McCalla but also how the tone of her music is more inspired by the Appalachian mountains, americana and artists like Janis Joplin and The Beatles, Whitney Houston, Nina Simone, Mowtown, The Supremes and even Rod Stewart. Sabine has played at the Newport Folk Festival and Brooklyn Americana Music Festival.

Sabine McCalla in her natural element singing in front of an audience.

Music has been the saviour for Sabine and singing on her covered porch has made it possible to record music at a safe social distance. For the future Sabine has a lot of ideas for collaborations with other artists but will focus on recording her own music. I can’t wait to hear the next chapter in Sabine’s musical journey.

Sabine McCalla from the podcast. Photo: CloudwatcherUno

Click below to hear the podcast from CloudwatcherUno featuring Sabine McCalla. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

Brandon Padier sits down with host CloudwatcherUno as they talk about the inspiration behind his albums ‘Brothers Of The Flood‘(2020), ‘Rock and Roll Heart of Gold‘ (2019) and ‘To God Be The Glory‘ (2018) such songs as ‘Once Again (I’m Alone)‘ ‘The Hardest Thing‘ and ‘To God Be The Glory‘ his musical history of being in the band ‘Adopted Kids‘, and how being the guitar player led to him becoming a singer. His musical influences such as The Beatles, Jason Isbell, Neil Young, Tom Petty, The Band and The Grateful Dead are evident in the songs that he has released.

Brandon Padier ~ Stunning vocals combined with a spiritual soul makes for an original artist.
‘The Hardest Thing’ by Brandon Padier

For a self confessed introverted personality Brandon comes to life when talking all things music, art and culture. Taking that first step into song writing was only natural after having written the songs themselves. we talk about how music is a universal language and his love of playing instruments such as the piano and trombone and especially those that challenge him especially the fiddle and the sitar.

Looking forward to the new album from Brandon Padier.
‘To God Be The Glory’ by Brandon Padier

Brandon is working on his new album and is being influenced by The Byrds, Wings era McCartney. The songs for this album are akin to tackling life in these pandemic times and universal concepts of isolation. The magic will be turning these simple concepts but turning them into something incredibly profound.

‘Everything Falls Apart’ by Brandon Padier
Brandon Padier from the podcast. Photo: CloudwatcherUno

Click below to hear the podcast from CloudwatcherUno featuring Brandon Padier. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts. 

John Smith is a Spotify sensation having amassed over 40 million streams for his songs. On the podcast host CloudwatcherUno spoke with John about his childhood, his musical influences and his sixth album ‘The Fray’ which is released on Friday 26th March 2021 via Thirty Tigers.

John Smith, A troubadour for our times. Photo: Simon Whitehead

Having become a professional musician at the age of 22 and playing pubs and clubs for three years, John started to make a name for himself. He became known for being a virtuoso guitarist, exceptional lyricist and singer with the kind of voice that is dripped in velvet. He crossed paths with Cara Dillon and Lisa Hannigan and started touring all over England, Ireland and Australia as a side man while making his own records. His reputation as a session musician grew as he played for Lee Ann Rhimes, Roseanne Cash, Joan Baez and Tom Jones.

Starting off playing with the piano, then drums John settled for the guitar as his instrument of choice and has been playing this iconic instrument and has been a good friend to him for the last 27 years. Growing up John spent his time day dreaming at school, getting terrible grades and generally hating the experience until he went to University to study music and then out into the real world where he could do whatever he wanted.

John Smith whose velvet voice has captured the hearts of fans across the globe. Photo: Elly Lucas

John is a man on a mission to save your ears from the tedium that passes for music out there on the internet. His sixth album was written as a response to the cards that life had dealt him at the beginning of the pandemic in 2020. Having had his remaining gigs in Australia cancelled followed by distressing family heartache there didn’t seem much hope of retrieving his life as a touring musician.

John smith on the first day of recording ‘The Fray; at the Peter Gabriel’s Real World Studio.

John had one remaining card to play and in September 2020 he went back into the studio to begin work on his new album. With the help of long time friend and producer Sam Lakeman life was breathed into songs that began life on paper. The album is a testimony to the craft of song writing, arrangements and production that has been John’s signature sound.

John Smith on the podcast. Photo: CloudwatcherUno

Smith reached out to fellow musicians across the world to record remotely or virtually onto the album – Jessica Staveley-Taylor of The Staves, Sarah JaroszCourtney Hartman, The Milk Carton Kids, and Bill Frisell from the Americas and Smith’s frequent touring partner Lisa Hannigan via a virtual studio session in Dublin and others added their magic to the album.

‘Eye To Eye’ by John Smith (feat. Sarah Jarosz)

‘The Fray’ is a truly phenomenal album, that shows what it’s like to be vulnerable, to hold onto the dream of love when the reality and hard times has driven that to collapse.

John’s voice is the key to this album it takes your hand and carries you into a world that reflects the trails and tribulations of living life in the 21st century. ‘Friends’ is a love story to the bonds of friendships and all those souls who have come and gone and still mean that much in our lives. It showcases exquisite lyrics delivered by a voice from the gods. ‘Hold On’ is a beacon to us all that better times are coming and that we shouldn’t give up but find the will within ourselves to carry on living. ‘Eye To Eye’ is a plea to make things work out and making things right between lovers when all that remains is silence. ‘Deserving’ is the most honest song about love, heartbreak and wanting to be deserving of being in a relationship with another human being.

Update: On 28th March 2021 John played a show for fans to celebrate the release of the album. It was streamed live around the world by Mandolin as John performs from the legendary Yellow Arch Studios in Sheffield.

John streaming live through Mandolin platform at Yellow Arch Studios in Sheffield.

Click below to hear the Artist Showcase podcast from CloudwatcherUno featuring John Smith. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

  

Allison Leah is a folk-pop singer originally from New York but now based in Nashville, Tennessee. 2020 may not have gone as planned but Allison wanted to carry on with her plans and to continue with her new music projects after her ‘Fly Home’ EP.

‘Coffee Cup’ by Allison Leah

In this podcast host CloudwatcherUno talks with Allison on being there every step of the way in the production of her new music and how she has grown as a songwriter. Concentrating on more mature stories and evolving into a more true pop sound. There’s more fusion of genres and as an independent artist Allison can experiment with what she wants to release. We get to hear ‘Colorado’ and ‘We Can Still Sing’.

Originally from New York, Allison Leah has moved to Nashville to continue her journey in music.

Last Spring was to be Allison’s biggest tour starting off in Kentucky but then the pandemic arrived and it was all cancelled. This lead to Allison being in lockdown with her family but also resulted in her writing and releasing her pandemic anthem ‘We Can Still Sing’ a response to what she was seeing from Italy and the lockdown that was happening there. The song was a family affair with Allison getting her siblings joining to do background vocals, Allison herself did all of the arrangement herself and her sound engineer father mixing the whole track. It’s a song for the world and has helped many people across the globe deal with quarantine.

‘We Can Still Sing’ by Allison Leah

Growing up in a musical household let Allison explore her fascination with music especially musical theatre. Allison really enjoyed playing piano and loved singing along to the radio and on stage and was influenced a lot by the music around here which was classic rock and jam bands and listening to artists such as John Mayer, Rachael Yamagata and Trevor Hall. Allison’s first break as a singer was singing in front of the school aged just 5, from there she was hooked on the adrenalin in performing for an audience.

Make sure to add Allison’s music to your daily playlist.

“IT’S THE GREATEST FEELING IN THE WORLD WHEN FANS LISTEN TO YOUR MUSIC”

For Allison it’s the joy of singing and performing that has led her to sing at the Blue Bird Music Cafe in Nashville, The Bitter End in New York, Sofar Sounds and House Shows. Allison’s plans for the future will be to release new music in the genres that speak to her from the heart and to her fans. This year is one of opportunity and being able to showcase her beautiful voice on her new records.

Allison on the podcast. Photo:CloudwatcherUno

Click below to hear the podcast from CloudwatcherUno featuring Allison Leah. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.

Darling West are the cosmic folk duo hailing from the land of Norway who have released Spelleman-winning (Norwegian Grammy) album ‘Vinyl and a Heartache’ and such hits as ‘Rolling On’, ‘Traveller’ and ‘The Sweetest Tune’. Host CloudwatcherUno sits down with artists Mari and Tor Egil Kreken to talk about their music, gorgeous lyrics and phenomenal harmonies and melodies. In the podcast Darling West perform live acoustic versions of ‘Rolling On’ and ‘Loneliness’ and there’s also the album version of ‘The Sweetest Tune’ that starts the show.

Mari and Tor Egil Kreken are Darling West.

Darling West started life as folk trio with very dramatic thoughts on how they would be a band and ended up more into cosmic folk territory with electric guitars, drums and the banjo. Tor plays claw hammer style banjo like his Appalachian heroes of the US. Darling West’s sound started out as an interest in old fiddle tune time songs with mountain folk vibe similar to the music from the film ‘O Brother Where Art Thou?’ It was a jumping off point for the band to start their exploration of building and writing their songs.

‘O Brother Where Art Thou’ (2000) Directed by Joel & Ethan Coen

The last EP ‘Interpretations’ explores their love of pop tunes through a country landscape. The music on the EP brings them joy and that translates to the listener when they hear the tracks ‘Don’t Start Now’, ‘Pamela’ and ‘Bulletproof’. It’s a way of expanding their audience’s expectations of the band. It was a challenge to find the tenderness within the original lyrics and the almost harsh production style and reimagine with a much softer gentler interpretation.

‘Bulletproof’ from the Darling West’s Interpretations EP _ Video from their Friday Sessions series

Darling West also bring their sound to life by showcasing their music through their Friday Sessions cover videos available on YouTube and Instagram. They bring the joy of their music by collaborating with fellow artists such as Hayde Bluegrass Orchestra. The ‘Friday Sessions’ started out as a response to the duo experiencing the lockdown in Norway and not being able to go out but still wanting to connect with their fans and audience. It’s a lot of work learning a new song every week and then record it flawlessly as a live video to such a high professional standard. Don’t expect the sessions to continue forever though as the duo need to work on releasing their own original music.

‘Gold Dust Woman’ performed by Darling West featuring Hayde Bluegrass Orchestra

One of my favourite songs from the album ‘We’ll Never Know Unless We Try’ is ‘Home’ written by Tor Egil with Mari in their family’s cabin and was a song that just came out so easily and encapsulates the cosmic folk catalogue of Darling West. You can feel the influence of Gillian Welch in the lyrics and it sounds like poetry put to music.

The duo have adapted as well as they can to having to put touring to one side and have now been able to focus on the Friday Sessions, their songcraft and building a nice home for themselves to create an atmosphere conducive to blossoming their creativity. Without the pressure of trying to make a Darling West record has enabled them to explore different genres, sounds and musicality.

Darling West showcasing the best that Nordicana music has to offer to the listening world.

Growing up Tor Egil started off wanting to play football but that obsession was overtaken by learning to play the guitar while listening to his older brothers record collection. In junior high school reading about musicians playing their instruments and touring with their bands, Tor Egil knew this was going to be his life. When Mari and Tor met 15 years ago, Mari didn’t even play an instrument. Mari always enjoyed singing and her father always sang as a way to relax. There was always country music on the radio. After 7 years together Mari also wanted to become a part of the musical community in a real way and bought her first mandolin. It took a lot of practice before Mari felt that she had the sound she wanted from her instrument and could call herself a musician. It was all worth it as the duo have released four albums showing their incredible virtuosity, skill and range in producing stellar music.

Lockdown has brought Darling West the time they need to craft their songs and focus on their sound.

Mari and Tor Egil don’t right formulaic music or middle of the road tunes for them there is no formula that they stick to. They want to keep their music as alive as possible and act as a homage to the Norwegian mountains. Speaking metaphorically if they found themselves in lifeboat having to recue their songs then they would save ‘Darling West’, ‘Vinyl and a Heartache’, ‘Someone Like You’, ‘Rolling On’, and River.

Mari and Tor Egil from the podcast. Photo: CloudwatcherUno

Darling West are at the forefront of the Nordicana music scene and bringing their own twist to the traditional Americana/ Appalachian music that’s been produced and being released. Their music is full of guitar, banjo and pedal steel which envelops the listener transporting them to a mythical country and western world. Going forward the duo want to focus more on their own song writing and they have more time to really record the songs they want in the style and production that showcases their music the best. A new album will arrive and when it does you know it’s going to be fantastic.

Darling West partners in music, life and storytelling.

Click below to hear the podcast from CloudwatcherUno featuring Darling West. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.





David Jameson, a globetrotting artist, has travelled from the high alpine mines of South America to the prairies of North Dakota and the coasts of East Asia.

CloudwatcherUno speaks exclusively with David Jameson an American singer-songwriter from South Bend, Indiana. Through collaboration with Radio West Virginia he has released videos that perfectly capture his blend of American roots music styles including folk, old-time, and outlaw country.

Who Is David Jameson?

Right now, I live in Texas.  During the last five to ten years, I’ve been living all over the world, but I grew up in the Heartland.  A lot of my music influences are classic country and traditional Appalachian music, Bluegrass and old time music.

How excited are you in sharing new music this year?

I’m very excited. There’s really no other way to think about it.  The songs have been really well received by everyone who has listened so far. I’m excited to share them more broadly.

How are you finding the process of releasing music during the pandemic?

It’s certainly a bit more difficult. Travelling and recording in the studio can be difficult while trying to socially distance and wear masks, especially for me since I am a singer.  With almost any other instrument, the musician can wear a mask, but I can’t at least when I’m singing so I keep it on all the time and take it off right before I sing. After I finish, I put it right back on.

What was it like writing and recording ‘Sherman’s March’?

I was in West Virginia and had just visited WB Walker on the Old Soul Radio Show. I popped over to Boone County, West Virginia to record this video out in the holler amongst the trees. It was a beautiful location, and I was surprised that we were able to get such high quality audio because it was quite windy. My fingers are not used to playing out in the freezing cold, but it was a beautiful spot to hang out and play.

David Jameson recording ‘Sherman’s March’ video with Radio WV.

Tell us more about the video and how was it produced?

John Price of Radio West Virginia (RadioWV) and I walked out into the woods with a camera and a microphone, and we tried to find a spot that wasn’t too windy. And we scouted around, set up the microphone and plugged in my guitar so that we could get a clearer sound, and finally we got around to shooting the video.

You’ve talked a little bit about Radio West Virginia, can you talk more about your connection with them?

I’ve been a fan of Radio WV for quite a long time. John and Draven promote a lot of talented regional artists, and they do beautiful videos out in the woods of West Virginia. The musicians are fantastic. They’ve done videos with Charles Wesley Godwin, Drayton Farley, Cole Chaney, Logan Halstead, and many others. All of them sound great, and their videos have been really popular with people across West Virginia and beyond.

You already released ‘Tall Dark Pines’ through Radio West Virginia so what was that like?

It was great to get down to Dingess and Boone County, West Virginia. I’ve been to Tennessee and Kentucky but never to West Virginia, and it’s a whole different place. It’s gorgeous. A lot of the good murder ballads come from Appalachia. ‘Tall Dark Pines’ is very much inspired by traditional American music like the song ‘In The Pines’ or ‘My Girl’ depending on who sings it be that Lead Belly, Nirvana, or somebody else. ‘In the Pines’ is very much about the pines, and my song pays homage to that so it was very cool to sing it amongst the pines, out in the woods where the majority of the song takes place. Plus, ‘In The Pine’s is also a murder ballad of sorts, but the traditional song is much more gruesome than mine, even though mine is pretty explicit.

‘Tall Dark Pines’ by David Jameson with RadioWV

Do you sing any happy songs?

Yes, I sing happy songs for sure! My music reflects the range of experiences that you might have in life. The things that happen in real life are the strangest. ‘Tall Dark Pines’ is based on a murder that happened in my home town in Indiana. I put that story down in a song just like they did in the original murder ballads from the early days of the US. The truth of the story makes it all the more haunting.

Can you explain what your sound is?

The best way to describe my sound is that I’ve been channelling some of the early sounds of the United States including an Irish influence in the vocals and chord structures. I try to bring those storytelling songs into a modern era, so they may feel a little old but they still are relatable to people of today.

Do you think an artist now can afford to be just in one genre of music or should they cross genres?

I’m not sure what an artist should or shouldn’t do, but for me each song writes itself and sometimes a song calls for a slightly different sound. Some of my songs have come out as more of a rock song while others are more traditional country tunes in the Carter Family style with the Carter scratch.

Can describe the feeling that you get from actually having released a song from beginning to end?

Finally getting a song out is a relief. A lot of time goes into writing, refining and recording the song and preparing everything around the release. When the song gets out there you can finally let the bird fly.

You released a song called ‘South Bend Town’ and you were raised in South Bend, Indiana what was that like?

It was a really cool experience. I have lived in Texas off and on for a long time so going back home to South Bend was great.  I enjoyed meeting some of the music community there who play music locally and nationally. I was starting to write the music for the album at the time and I thought that it would be more interesting to do something for the community. When I mentioned that idea to other people and they were super excited about it and wanted to join the project. Then I ended up recording with a number of artists who are popular locally and nationally including the guitarist from Umphrey’s McGee who is from South Bend, Jake Cinninger.  I also met other artists who didn’t lay down tracks for the song, and they provided their invaluable guidance. In particular, The Bergamot and Francis Luke Accord have been very helpful. The song was received really well in South Bend and beyond with 20,000 plays across 50 different countries. In South Bend, a lot of people wear the South Bend Town t-shirt. Some of the kids especially my nieces and nephews sing it constantly because it’s very catchy and specific to South Bend. In South Bend, it’s had a big impact!

‘South Bend Town’ by David Jameson

It’s a great song. Sounds like you had a lot of fun.

I had a lot of fun making this song.

Growing up did you always want to be a musician?

What kid doesn’t want to be a musician? It’s kinda like wanting to be an astronaut. Seems cool, not really sure how to do it. I don’t know if I intended to be a musician but I always played. I played with my family, and I played in bars in China when I was living over there. In China, a friend dragged me to go try out for a TV show, and we ended up making it on to the show. Then I thought maybe I could do something with my music, but back then I was singing covers in Chinese.  Singing somebody else’s songs doesn’t have the same emotional punch as singing my own songs so I wanted to come back to the US and write my own stuff.

Tell us more of you being a western singer but to a Chinese audience.

It’s certainly a unique experience and in particular for me as a singer. I really like a lot of the Chinese music especially the folk music. It’s weird singing it though. Even though I can say the words and understand them, they don’t have the same impact on me. Like the word love doesn’t have the same emotion depth in Chinese because I don’t have all the experiences attached to the word. For example, as a baby, my mother said the word love to me many times in English, but no one said that to me in Chinese. So trying to sing a love song feels a bit empty emotionally. It doesn’t have the same kind of emotional release as it does for me in English. I have to think about it a lot more deeply to feel the meaning.

David performing on Xing Guang Da Dao in China.

What’s your instrument of choice?

Definitely the guitar.

And how long have you been playing the guitar?

I’ve been playing the guitar for well over a decade. When I was younger I played the piano but I wanted something that was more mobile because I knew that I would be travelling around quite a lot. And more recently I’ve inherited my grandfather’s banjo so I’ve been learning that as well but I’m not ready to perform with that as of yet.

David Jameson a unique artist with a powerful vison for listeners.

What kind of music inspired you and has stayed with you now?

Certainly singers like Johnny Cash and Elvis. They sing more in my range especially Johnny Cash. Very few singers today sing in that range. Many singers now have high voices and that’s just not my range. As a kid, Johnny Cash was one of the few singers that I could sing along with and the same with Frank Sinatra. I really liked those artists because I could actually sing and perform their songs and sound like the record.

What’s it been like for you as an artist not to be able to perform in front of an audience in these strange times?

It’s a lot like performing in front of TV where I wouldn’t really perform in front of anybody and sometimes there might be a studio audience of a couple of hundred but most of the audience would usually be behind the screen. So performing and recording these videos with Radio WV just feels normal, but certainly not being able to perform in front of a live audience and seeing their response  changes the way that I write because I’m not getting the feedback from a larger audience.

What do you think fans get from your music?

It depends a lot on the song. Often I start with an emotion or a story that’s actually happened and think about how that actually makes me feel or how would it make a person in that story feel. Everything from the music to the lyrics, it’s all meant to create a feeling within the listener.  Whether it be angry, sad, happy or nostalgic, I try to take that emotion and carry it through the whole song and the production.

David Jameson from the interview. Photo: CloudwatcherUno

And what songs do you feel have connected for you and with an audience?

The song in the last few years that made me feel the most was ‘Scarecrow In The Garden’ by Chris Stapleton, it’s a fantastic story about a family coming to America, creating a farm and life becoming more and more difficult as generations pass. The last line of that song still gives me Goosebumps. It’s such a powerful story, and the last line makes you really think about Heaven and Hell. The last lines are ‘There’s a bible in my left hand and a pistol in my right.’ Implying that he’s either going to find solace in the pistol or scripture.  It’s a very dark choice. It’s pretty powerful emotionally.

For my music I have a very large extended family and often we’ll have a Zoom call where everyone gets together, brothers and sisters, anyone who can join. I played them all a song based on a family story of my Grandfather who was a Pastor. It’s called ‘Eye for An Eye’ and everybody was crying before I even sang halfway through it.  It was pretty powerful to see how much they were moved by it. I’m not sure the average listener would cry while listening this song, but it really impacted my family.

Music is such a powerful experience do you feel a responsibility at all as an artist?

I feel that music should capture the real human experience and pop songs going into the pandemic were only happy songs, but people didn’t feel happy so why would you give them songs that don’t match their emotions. Sometimes you want that sad song. A lot of the old country songs are about real life, and I think that art has to represent real life.  People can’t as easily connect with an emotion if it’s not represented in art. If you don’t have words to describe sadness then you struggle to feel it. And you struggle to capture in words what it might be. It’s easy to say this song is what I’m feeling because it’s more fundamental to your emotional state and it captures an emotion that words cannot.

That’s a fantastic answer.

Looking ahead what next for David Jameson?

Still pretty much focused on the album, I’ve yet to come up with a name yet. I’m still getting everything together so I can release in the next few months. This week ‘Sherman’s March’ video will be released on Radio WV and then more to follow. They are great videos and were really fun to shoot.

Checkout the video for ‘Sherman’s March’ by David Jameson with Radio WV.

‘Sherman’s March’ performed by David Jameson with Radio WV

Michelle and Olivia Williams the founders of the Power and Sound revival festival. Photo: Bunnies & Poppies

CloudwatcherUno interviews the founders of the Power and Roots Revival Festival. We talk about what it means to start a new festival and the passion that is needed to bring it to life. Headline acts for the festival will be Them Dirty Roses, 49 Winchester and Whiskey Foxtrot.

Power and Sound Revival Festival on 22nd May 2021 at Piedmont Dragway in Julian, North Carolina.

Why set up a new Festival?

After the year and half we have had I figured we needed something to look forward to. It gives bands a place to play, people a place to come and have a good time and revel in the simple act of being together again. I think we have seen and felt how important that is. 

Why is it called Power and Sound Revival?

I wanted a name that would get across what it was about. The power being the car/bike/van show. The Sound being the music and the engines. The revival part because of what I previously stated, about reveling in the simple act of being together again. I have to credit my brother Seth for the name though. 

How did you find your artists?

Alot of them I already knew personally or frequently listened to their music. I reached out to some of my favorite NC and regional acts and luckily they were down to do it. 

‘Grew Up In The Country’ by Them Dirty Roses who are playing the Power and Sound Revival Festival

What’s it being like to organise a festival from scratch?

It’s been a learning experience for sure. Going into it I knew the basics of a festival but not the tiny little details that actually make it work. Michelle and I have both worked hard and learned a ton. Luckily everyone I have reached out to ask questions has been so helpful and willing to help out. 

Why are you so passionate about music? 

I’ve grown up around it my whole life. My older brother started playing music at bars when he was 14 and I always tagged along even though I was only about 10 at the time. I got to meet a lot of great musicians and music fans because of that. That is definitely where the love of it started, getting exposed to the music scene at such a young age. 

Which band are you most looking forward to seeing performing?

That’s a hard question, I’m just happy to see live music again. I’m excited about all of the bands playing. 

‘Its A Shame’ by 49 Winchester who are playing the Power and Sound Revival Festival

How much has the pandemic influenced your thinking around keeping everyone at a safe distance? 

It has had a huge part in how we are going about things. We’re going to take all the precautions we can at the time of the festival. As well as encourage social distancing and wearing a mask. 

How important is everyone safety while their at the Festival?

It’s obviously very important to us, we are going to do everything we can to keep it safe and practical for all of our attendees. 

This seems to be a true family affair how did this come about?

Well it kind of goes back to my brother playing in bars at 14. Obviously he needed an adult to get in and play so my parents came and so did I. Michelle, my mom started booking all of his bar gigs and eventually started her own booking company. As I got older I knew I wanted to do something in the music industry, so here we are. 

‘San Isidro’ by Whiskey Foxtrot who are playing the Power and Sound Revival Festival

Knowing now what it takes to put on the festival would you do it again? 

Most definitely, we’ve been pulling this thing together during the pandemic and figuring out how to make it as safe as possible. So I figure if we can do this during a pandemic the other years should be much easier….hopefully 

Where do you see the festival growing in say 5 years?

I would really love for it to be a 3-4 day festival with multiple stages. Be able to hire more artists and help get their name out there. Maybe also have a bike ride to the festival as well. We have a lot of ideas about how we could expand on the festival, we just have to get the first year under our belts.

So make it a date music lovers go check out tickets at powerandsoundrevival.com