Dee White talks with CloudwatcherUno in his first ever podcast so that we can hear his story thus far in the world of country music. We also have a live exclusive acoustic performance of his new song “Little Things” on his 000-28 Martin Guitar.
After touring with Paul Cauthen earlier on in the year Dee came back to Alabama to chat on the podcast. Our conversation starts right at the beginning when Dee’s father sold an antique to Harold Shedd who had recently moved out to central Alabama from Nashville. Dee (a senior at the time) helped his father deliver the antique and saw all the vinyl and gold records that Harold was unpacking and did what any curious youngster would and googled Harold and found out he was a music man. Little did Dee realise how much of an influence this southern gentleman would have on his life and his career.
Harold overheard that Dee played at church and had his guitars restrung and a seed of an idea gets planted in his head. After a few months an old buddy of Harold’s from the music industry visited to see his new place and asked Dee to play out of the blue and Dee travelled with his grandfather to Harold’s place. Once there Harold said to Dee to play any song he liked and Dee sang Hank William’s “Lost Highway“.
After this initial performance, Harold would continue to validate Dee as a singer and lyricist and encourage him to write as many songs as he could. Then on one snowy morning in Nashville, Harold drove Dee to meet David R. Ferguson at The Sutler Saloon David would later co-produce Dee’s first album Southern Gentleman . After lunch Dee went to Easy Eye Sound and met the legendary producer Dan Auerbach . All of this happened on the same day. Dan asked Dee to play a song which He did an original composition called “Voodoo“. After Dee finished singing all of these music men looked at each other and knew that Dee was the real deal. Not too long after that work began on the “Southern Gentleman” album.
Dee is now in the studio finishing his sophomore album which has been recorded live so as to capture the most authentic analogue experience. Dee is thrilled to bring new music to fans and is looking forward to touring across the United States and especially across Europe to promote the new album when it comes out.
Click below to hear the podcast from CloudwatcherUno featuring Dee White. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Kristina Murray sits down with CloudwatcherUno in her Nashville home to talk about her albums “Southern Ambrosia” and “Unravelin” and the latest project of killer covers featuring Logan Ledger “That Just About Does It” (a Vern Gosdin classic) and “I’m Gonna Hurt Him On The Radio” (based on Keith Whitley‘s original).
We talk about Kristina’s development as an artist between her first album and the new songs that she has released, how she has become a better songwriter, collaborator with other producers and musicians and working on her new songs for her new album.
Kristina got a chance to sing at The Ryman recently and felt really good at how her voice sounded, and is looking forward to going on tour with Jamie Wyatt in 2022, a true champion of great country music on the west coast.
Click below to hear the podcast from CloudwatcherUno featuring Kristina Murray. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Stefanie Joyce joins CloudwatcherUno from Nashville where she has carved out a career as a songwriter on Music Row. Stefanie’s 2021 single “Treasure” charted on Billboard@billboardcharts (co-written and performed by @maryheatherhickman ) debuted on country radio and was featured on the Bobby Bones show @bobbybonesshow
Now it’s Stefanie’s turn to shine in the spotlight as a singer in her own right. Just listen to her latest single “Presidio” to see why Stefanie should be at the top of your listening playlist. Stefanie describes her music as the love child of red dirt country music meets music row. Stefanie describes how working on Music Row for so many years has resulted in her lyrics being born as linear songs but then using that to produce something more poetic and rough for listening audiences.
Born in New York, raised in Canada and now living in Nashville, Tennessee, the young Stefanie was in love with storytelling, especially southern literature and used that passion to write songs. In the podcast we talk about how in the country music coming out of Nashville songs are written not by the band performing them but by other artists or in collaboration with other artists. It’s a tradition that is uniquely cultivated within this genre.
Stefanie moved to Nashville initially to join the song writing industry that has grown in Nashville and provides the hits for the biggest names in country music today. Stefanie built up her network and her community and now feels it’s time to release her own songs. A new EP will be released in the summer featuring “Idle Hands” and “Love Thy Neighbor“.
We talk about her interest in murder ballads and how she came to co-write “Ouachita River” with Mary Heather Hickman and how this subverts the usual tradition by having a male protagonist perish within the song. Murder Ballads originated within the United Kingdom and were brought over by Scottish/Irish immigrants who then used real places within their ballads. This song has been nominated for the Arkansas Country Music Awards 2022 for Best Song, Vocal Duo/ Group and Mary for best Female Vocalist. Nominees (arkansasmusic.org)
Stefanie explains that she wants to be able to play for bigger venues and audiences and when that opportunity comes she’s going to grab it with both hands. Stefanie has played both The Listening Room and Bluebird Cafe and will be doing more Nashville shows and a tour in The Fall of 2022.
Click below to hear the podcast from CloudwatcherUno featuring Stefanie Joyce. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.