CloudwatcherUno sits down with Jason Michael singer/songwriter from New Ellum. The band may be new but these are all experienced musicians who’ve paid their dues to the gods of music. To make the sound of New Ellum you have singer/songwriter Sabrina Taylor-Mesh, drummer Ed Chaney, guitarist Mick Tinsley, bass player Randy Morris and fiddle player Orion Pitts. With Jeff McMullen on keys and John Solis on drums to round out the tracks with other musicians.
Born in Lakenheath, Suffolk, England Jason and his family moved back to Texas, where Jason followed his passion as a working musician. Having spent his formative career in Texas, Jason travelled to New Orleans and Los Angeles, coming back to live in Dallas. Returning to his roots Jason wanted to record new songs for a solo album but as it progressed with fellow musicians and players on the tracks New Ellum was formed. A brilliant twist to promote their music New Ellum have produced unique videos for ‘Devil’s Band’ featuring stop motion Lego animation and the comic book animation of ‘Wedding Ring’.
In this podcast we get to hear ‘Wedding Ring’ with acoustic versions of ‘Houston Radio’ the new single from the band released on 16th October 2020. We also get treated to an acoustic version of ‘One Short Minute’ an unreleased track.
The pandemic might have brought many plans to a halt but it can’t stop music. Music comes from the soul and its a universal language for the world to enjoy. If your looking for a true music connection then go listen to New Ellum. They are a band who deserve your full undivided attention.
Click down below to hear the podcast from CloudwatcherUno featuring New Ellum. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Chase Crawford is the real deal. 100 percent Country and Western, born in Nashville, raised in Alabama, Texas and all the parts in between. As the son of a travelling Pentecostal Preacher who lead tent revivals across the country Chase absorbed all the musical influences from Southern Gospel, Honky Tonk, Rhythm and Blues and Appalachian mountain music which you can hear right now in the EP “The Neon Lights Go on Forever” The album was finished in 2019 but released in 2020.
In this podcast we talk about the history of country music from pioneers like Deford Bailey to modern artists such as Mickey Guyton. And how modern country and western music could not exist without such artists and how instruments such as the banjo hailed from West Africa play such a key component of bluegrass music. When hillbilly music became mainstream it was then marketed as that or as a race record. Eventually many of these black artists became overshadowed or forgotten but their influence can be seen in the music that we listen to every day.
We get to hear two acoustic versions of songs from the new EP ‘Be Your Johnny Cash’ and ‘The Problem With Angels’ These two songs showcase the breadth and scope of Chase’s talents. ‘Be Your Johnny Cash’ is a love letter to his wife and he sang this to his bride on their wedding day, it features exceptional word play and is crafted like a carpenter may craft an item of furniture from a block of wood with love care and attention. ‘The Problem With Angels’ is a ballad of love and loss in a relationship and the struggle to keep love alive between two souls.
The whole EP comes fully formed with not one note, lyric, guitar riff, banjo twang out of place. It took minutes of inspiration, hours of hard work and years of dedication to produce a stunning album such as “The Neon Lights Go On Forever” So go show some support to an artist who truly deserves your love and attention.
Click down below to hear the podcast from CloudwatcherUno featuring Chase Crawford. Also available on Apple podcasts, Spotify, Google Podcasts and many other platforms.
Once in a while, a voice stops you dead in your tracks. The voice goes deep into your musical should and stops you cold. You look around to see if you have left this reality or have gone into another realm. I heard Eric Burton’s voice coupled with Adrian Quesada’s guitar on ‘Colors’ last year on Spotify and I must have played that track multiple, multiple times. It brought me immense pleasure and happiness to be moved by this deep, rich totally immersive sound. It was as if I had discovered an unknown treasure from the seventies one that had escaped the notice of all the music that has since passed.
There is an urgency in Eric’s voice a message that needs to be delivered to your heart bypassing your mind. It needs to open up that part of you that has become worn down by the relentless grey that is modern existence.
On 7th February 2020 at Islington Assembly Hall, London the Black Pumas continued with their Black Moon Rising tour they came and performed their music onto an audience who had travelled across the globe to hear them play. As far as Venezuela to Spain fans had travelled to experience in person the music of this incredible band.
From the first opening chords of ‘Old Man’ the Black Pumas gripped the audience and a wave of positivity, warmth and electricity flowing through the concert venue which went through each and every fan. We knew this was special that this was a night to say afterwards that we had seen the Black Pumas live. Lets not forget that the Black Pumas are a duo and the other half of that duo is Adrian Quesada and without his guitar and the almighty power he wields with that instrument there would not be those delicious hooks and riffs to thrill and excite your senses.
Hearing the album the self titled ‘Black Pumas’ you are transported to a world full of funkadelic soul, pulsing electronic heartbeats of bass with hypnotic beats. When you hear this music live in concert the effect is magnified a thousand fold sending shivers down your spine. Your feet can’t help but move along to the rhythms of the music.
The whole atmosphere at the audience was electric, sending positive energy back to the band by singing the words to each and every song. And then Eric stepped it up another level by singing ‘Fire’ into the crowd itself. Surrounded by fans the whole audience went estactic.
Then Eric vaulted the security barrier and lept back on stage leaving the crowd hungry for more music and for the night not to end.
What a show, a performance from the band that easily rates as being in the top ten live experiences I’ve been to. Well worth the wait of all these past months to a glimpse of the mercurial talents of these exceptional musicians. It’s no wondered Black Pumas were nominated for a Grammy this year for Best New Artist.
Then as the last song came over a silence came over the crowd. Surely it couldn’t end, not this evening of pure soul?
Of course it didn’t as the band came back to an uproarious encore when Eric asked the crowd if they wanted to hear another song? The crowd erupted with a almighty ‘YESSSSSS’ and so Eric sang an acoustic version of the Beatles classic ‘Eleanor Rigby’.
Then this evening of supreme came to an end. We had witnessed music in it’s purest form connecting us not only with the artists but with each of us who were in the venue.
As if the night couldn’t get any better Eric then launched into a cover of Tracey Chapman’s ‘Fast Car’ a sublime mix of soulful vocals and words to connect with the audiences souls.
What next for the Black Pumas? They are currently on a path that is leading them to be interstellar. For now I can say that I was there at ground zero seeing them lift off on career that will take them into the stars.