Michigan born Michelle Billingsley has lived many lives and dreamed of becoming amongst other things an actor, an organic chemist, a veterinarian, a ‘mime’ and now a fully fledged songstress. We talk about how Michelle started in the music business with first moving to Chicago and performing with the Chicago Cabaret Professionals who put on cabaret shows in piano bars. After doing that for a couple of years, Michelle decided to try something new by learning how to play guitar and then drifting into folk music with the band ‘Eleven Dollar Supper‘ which lead to country music.
Michelle saw a sign…..a sign above a bus stop which said ‘We teach Guitar!’
Matt Brown offered to produce Michelle’s album and with his help, the studio was booked, all the other musicians who played on the song were drafted in and made the whole experience of recording an album so easy. Right now Michelle is recording her second album by herself and has come to realise how much work Matt had put in with the first album. The pandemic didn’t stop Michelle from releasing her album ‘Not The Marrying Kind‘ in June 2020. By that time she had been living with those songs for what seemed like an eternity and wanted them to come out into the world!
‘Not The Marrying Kind‘ is the first line of the first song and provides a unique insight into Michelle’s musical life. One of the album’s highlights is the song ‘Drink Til I’m Pretty‘ and is full of these characters which weaves an intricate dark story that makes you feel for these characters. The whole album is a magnificent testament to Michelle’s song writing, lyrics and voice.
For the future Michelle will be booking shows in Chicago and beyond in the fall. For now click below to hear the podcast from CloudwatcherUno featuring Michelle Billingsley. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Dallas Burrow’s voice will take you away to a country that only exists in his heart and his music. It’s called Texas, the Lone Star State that is so mythical in the world of music it seems to fill the listener with dreams of how they too could live the life of an adventurer without a care in this world.
Born and raised in Texas, his first experiences of the country music world were from his father (a blood brother of Townes Van Zandt and friend of Guy Clark). Dallas Burrow continued the song writing tradition with his first album like 2019’s ‘Southern Wind‘, and now his sophomore self titled album ‘Dallas Burrow‘
To record the album, Dallas went old school in the production of the album by recording to two-inch analogue tape by producer Bruce Robison. He met Bruce while going on tour with the living legend that is Charley Crockett. The end result is the nearest you’ll get to hearing Dallas and his band play live. Dallas recorded the album with bassist Sterling Finlay (Todd Snider), guitarist Larry Chaney (Steve Earle), pianist Kullen Fox (Charley Crockett, Paul Cauthen), violinist Bryan Duckworth (Robert Earle Keen), steel guitarist and dobro player Dan Johnson (Hank III), slide guitarist Chad Pope (Dale Watson), pedal steel guitarist Cody Angel (Jason Boland), drummer Josh Blue (Bruce Robison’s band), and guitarist Chris Kues (Burrow’s own touring lineup).
“ I’ve realized that being a family man is perhaps life’s greatest adventure so far. I’m still writing about the adventures I’ve had… I’m just embracing a new kind of adventure.“
Stand out tracks are ‘American Dream‘ and ‘Country Girl‘ with the epic ‘Outlaw Highway‘. It’s an album that brings fire to the soul, showcases how much travelling around the world as influenced this Texan adventurer and presents a man reborn and this is the soundtrack to his new life.
Click below to hear the podcast from CloudwatcherUno featuring Dallas Burrow. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Sam Filiatreau began writing songs almost as soon as he learned to play guitar, Filiatreau found his calling in the storytelling songs of ‘70s country, along with John Prine and Randy Newman. “They were writing these stories that nobody else would, and I really like that kind of style,” he says. “Just being able to pull a song out of anything. Whether it be an inanimate object or simple conversations, I think that’s super cool.” Deciding to pursue music full-time at 16, Filiatreau quit high school, moved out of the family home, and joined a rock band. However, most of his free time was dedicated to traveling to area festivals, absorbing what he calls “sad mountain music,” and honing his own songwriting and singing.
The genesis of Kentuckian Sam Filiatreau’s new self titled album is one of chance and good fortune. A last-minute house show gig that just so happened to be in front of the right guys—Taylor Meier and Matt Vinson, who were on their way to AAA stardom with their band Caamp—led to a quick friendship and mutual respect which eventually landed Filiatreau the first spot on Meier’s new record label, Gjenny Records. All that to say, none of it would’ve happened if it weren’t for the sheer magnitude of Filiatreau’s songs and the way he sings them; a catchy blend of the lyricism of ‘70s vinyl with the acoustic feel of Appalachian folk music.
American Songwriter premiered “Wrecking Ball,” an effortless indie-two-step which, in Sam’s words, “is a nod to the old time music I’ve always been so drawn to.” But, like the rest of Filiatreau’s tunes, there’s a clever, quirky depth that might be missed on the first listen. American Songwriter notes, “Without saying too much, the artist’s stripped-back styling elicits a certain unifying nostalgia—even the empty spaces still brim with emotion.”
Sam definitely feels like a proud father with the release of this album and highlights are tracks such as ‘Wrecking Ball, and ‘Fine By Me’.’Fine By Me’ was written four years ago and was influenced in no small part by John Prine. To me it’s a fabulous love song as to where everybody sees their relationship going as they grow older together the song was written for Sam’s girlfriend at the time but will now remain a testament to love in general as their relationship in real life ended. Two years ago the album was done it’s been a labour of love trying to get the album out and was nurtured by Gjenny Records.
The pandemic has hit Sam’s plan of touring and promoting the album in a hard way and he’s only been able to do a couple of small shows to show off all his hard work in producing such seminal musical odes to the human condition.
Hopefully in the fall, probably around September and October Sam will be out on the road singing to live audiences again. For now enjoying the this behind-the-scenes look at how the album came about and listen to the album itself so you can hear the magic of Sam Filiatreau.
Click below to hear the podcast from CloudwatcherUno featuring Sam Filiatreau. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts
Blue Cactus are the North Carolina duo of Steph Stewart and Mario Arnez. We go behind the scenes to talk about this sophomore LP ‘Stranger Again’ which was released May 2021 on Sleepy Cat Records.
The new record is a departure from their previous album ‘Blue Cactus‘(2017) and the sound that was mostly influenced by country-western music. Standout tracks from this album are ‘I Never Knew Heartache (Then I Knew You)‘ and ‘Not Alone (Til You Come Home)’ If these aren’t country songs and then I don’t know what is. The new album ‘Stranger Again‘ musical direction is a mix of the lyrics, different energy and creative ideas and the amalgamation of their life experiences before they recorded this sophomore album. Blue Cactus have created their own genre of music with this album and it is ‘Space Country‘.
On the podcast we explore Steph and Mario’s separate journeys into the world of music and how Blue Cactus was started as a new project after playing together on a string band. It started as a way of really focusing in on country music and they had a new batch of the material that they wanted exploring different kinds of song writing. After an artist’s retreat in 2017 the duo then began writing songs separately and then began the collaborative process of bringing these songs to life.
Standout tracks from the new album are ‘Stranger Again‘ and ‘Rebel‘. For the future Blue Cactus are looking forward to playing live gigs again and bringing their unique space country sound to fans not only in the United States but across Europe.
Click below to hear the podcast from CloudwatcherUno featuring Blue Cactus. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
On a wet Saturday in July 2021, a miracle happened. Live music came back to these Isles of Britannia from the good people at Tennessee Fields Festival. It was very nearly touch and go due to the restrictions imposed by this lacklustre government but the organisers held their nerve and gave everyone who attended a magnificent day full of music. On the bill were Gareth Nugent, Lucy Blu, Jake Morrell, Morganway, Jade Helliwell, Essex County, Kezia Gill and the headline act Ward Thomas. The loss of scheduled American acts that were scheduled for one reason or another didn’t detract from the enjoyment and pure unbridled joy that fans experienced for many their first live music in just under two years.
At 11 AM the gates were opened to a very muddy field in Chelmsford, Essex (Well it wouldn’t be a festival in England if it wasn’t wet right?) Rain did its best to put a dampener on festivities but it takes more than H2O to stop this first live music festival from carrying on.
Opening the festival was Gareth Nugent, a regular on the UK country music scene. Gareth’s velvety voice was sensational and such a pleasure to hear. Gareth wasn’t the only artist who couldn’t quite believe that he was actually on stage in front of an live audience. We as fans were also in disbelief in seeing an actual live act playing country-western music. It’s been a difficult time for artists and live music goers alike during this lockdown and to see music again was very emotional.
Next up was Lucy Blu who wowed the audience with a combination of her charisma, stage performance and foot tapping music. You can see the pure joy that Lucy had for being on that stage, a stage that seemed lost to all performers but now belonged to her and her band.
Then we had Jake Morrell ably supported by Poppy Fardell and Tim Prottey-Jones (On drums, what instrument does that musical genius not know how to play?) Having seen Jake support other bands and artists on the London music scene it was great to see him perform as an artist in his own right.
The last band I ever saw live pre-lockdown was Morganway and the first band that I saw post lockdown was Morganway! The universe loves synchronicity and Morganway were without a doubt a highlight of the afternoon. SJ Mortimer brought her A-game with her voice her energy and passion, mix that with Nicole Terry‘s sumptuous fiddle playing, add in a splash of Kieran and Callum Morganway‘s backing vocals and guitar then with Ed Bullinger and Matt Brocklehurst‘s drums and keyboard and you have a killer combination of adrenaline pumping country rock.
Throughout the festival you had the main acts but then also acoustic acts such as machine O’Hagan, Emma and Jolie, The Folly Brothers and the legend that is Tim Prottey-Jones. Jade Halliwell stepped in at the last minute to replace Jessica Lynn who were supposed to play but due to one of the band members having to self isolate she also had to self isolate. This meant that the festival will no longer have any kind of American representation but was an opportunity for English acts to shine in the spotlight.
It was my first time seeing as Essex County, three brothers who moved to Nashville to make a big in the country music scene. The brothers are well known in the States and have a dedicated following and it was Tennessee feels festival that they finally got an opportunity to play before a British audience. The bands legion of female fans made sure that they were heard throughout their performance. Gentle heckling that comes with seeing your favourite music acts on stage.
Then we had Kezia Gill a sensational artist who lifted the spirits and the feet of those in the crowd with her tracks ‘Whiskey Drinkin’ Woman‘, ‘Wings‘, ‘House of Cards‘, ‘The Mess I Made‘ ‘All of Me‘ and ‘Country Song‘.Kezia made special mention of her Friday night club, A online fan club who have been there to support Kezia when she live streamed on Friday nights. Now the fans and cosier could see each other one performing the other listening to the music dies fill their days, nights and headspace. It was also a reminder on how loud live music can be, with the bass thumping, guitars strumming and powerful vocals all making their way through your ears to your heart and your head.
By the time the Ward Thomas took to the stage you completely forgot the past 16 months or so and all the heartache, disappointment and frustration of not having seen your favourite artists in person and in the flesh singing their hearts out. Lizzie and Catherine brought the house down with a mix of singalong songs, pathos induced reflections of the human condition and crowd pleaser lyrics made sure that this night of music would forever live on in the annals of musical history.
So Tennessee fields festival a surreal, time changing, uplifting experience for mind body and soul. Roll on 2022 when we can get to experience it all over again. If this festival is on on your radar then you are missing out on some of the best musical performers artists and bands that are performing music from these fair Isles of Britannia.
7T2 Names is a unique combination of old and new names and symbols referencing the artist Tareq with the history that’s important to 7T2 Names. The new EP ‘Unlocked’ which came out in 2021 is a kaleidoscope of electronic pop, melodic, hypnotic music to envelop the senses and to let you and your imagination run free.
‘The Power‘ is the foundation for the EP which was dreamt of on Native American land with the wilderness surrounding 7T2 Names and it was this connection with the wild that is at the beating heart of the track. It’s also about finding your own power and your own voice and it is Tareq’s unique ability of understanding what is it that artists want to bring out into the physical world through the beat that you can now experience on the remix. That’s not the only remix that’s on the EP there’s also phenomenal mixes by artists such as ‘Lorant’s Ocean of Time Mix‘ and ‘Spatial Awareness Remix‘.
There is no set agenda as to what the EP was going to sound like was rather a more organic process, and it’s a collection of songs and there is a natural order that runs through the more but you need to listen to the album from beginning to end because there is a journey that flows through it and as motifs and links to each song either musically or lyrically. The album is called unlocked because it’s about looking within yourself and unlocking your potential and the greatness of humanity and unravel the constraints of society and free ourselves and unlock our own personal joy and happiness.
The EP is a joyous journey and deserves to be played very big and loud in nightclubs and giant venue spaces. The EP was recorded in part in Wales with more songs growing organically to complement the spiritual journey that the songs take you on. One of the other outstanding tracks on the EP is ‘We Are King‘ a duet with Tareq and is a love song, Which captures this emotion which sometimes can bring pain can bring joy that rollercoaster feeling and this song celebrates the love not only between two souls are between two men which is quite unique in this musical world.
For the future there’s a lot of remixes coming out for an expanded version of the EP and will lead on to the next part of the 7T2 project. Then there’s also projects about deconstructing sound and reconstructing sound rather than focusing on the perfect pop song.
Click below to hear the podcast from CloudwatcherUno featuring 7T2 Names. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts
Cooper Greenberg’s new album ‘SILVERBELLY‘ is out 9 July 2021 which is perfect timing to introduce Cooper and his music through the podcast. The difference between this album and ‘Dream Sequence’ Cooper’s previous 2018 album is that it is more experimental, uses a whole lot of different instruments and Cooper’s taken his time to make sure that the album reflected the music that is in his headspace.
Some of the songs were written in 2015/16 and all started with the guitar parts and in part was used to serenade his partner. At the start of 2020 Cooper was recording music with the full band ‘Favourite Son‘ as well as producing music for this album. Then the pandemic happened and Cooper used this time to collaborate with other artists and bring his music to life.
From 2015 in San Antonio, Cooper would be playing live gigs and that’s how his love for his guitar and performing in front of an audience truly developed. Taking all of those experiences Cooper has produced an album with sensational tracks like ‘More of the Same’, ‘Desert Sweethearts’ and ‘Today is The Last Day I Can Keep This To Myself’. So go listen stream and enjoy the new album and for more behind-the-scenes action than listen to the podcast.
Click below to hear the podcast from CloudwatcherUno featuring Cooper Greenberg. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Fayen are an acoustic duo from Trondheim in Norway who bring their previous experiences of playing bluegrass music and channelling that into the Nordicana genre of music coming from Norway. Nordicana is Americana music with a Scandinavian twist. They first met playing traditional bluegrass 11 years ago and then became a couple in 2007 and now developed into fully fledged duo who are making stellar signs for your ears. Their new EP ‘From Here On Out‘ was released on 25 June 2021.Luckily all the music was recorded before the pandemic and before their lovely boy was born. The duo where music teachers Namibia and then in 2015 they Wanted to become more involved on the music scene and and eventually they became Fayen.
The sound of the album was deliberately trying to capture an atmosphere that subconsciously you will feel that you are listening to a live experience or as close to one as humanly possible. With songs such as ‘Meander Love‘, ‘Dark Horse‘ and ‘Hummingbird‘. We also get to hear a live acoustic version of ‘Hummingbird‘ which is simply sensational and will make you totally fall in love with this band. Some of the songs on the album have taken over a decade in being crafted and being brought to an audience to be enjoyed with your eyes closed. So that you can fully appreciate a phenomenal audio experience.
With the birth of their second child in the fall of 2021, Fayen are looking at the logistics of taking their ever-growing family with them when they go touring and playing to audiences and fans alike in Norway.
Click below to hear the podcast from CloudwatcherUno featuring Fayen. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Dustin Brown is living his life finally playing live music with all the enthusiasm and passion he can to excite his audiences again. Finally after quite a few years doing different jobs and living different lives Dustin is once again a fully fledged paid-up member of the musical fraternity. With the release of ‘Dreamer’s Last Drifter‘ his album from 2020 Dustin has shown what an amazing cosmic energy he brings to the world of music.
Dustin recorded the album as an acoustic album and then change his mind to make it a full band experience. You was recorded as a breakup song and relationships that disintegrate. Most of Dustin’s music is what he feels in his gut and how you can express that in musical form. Dustin’s grandfather and two of his sisters were and are accomplished musicians and a lot of Dustin’s creativity comes from the need to play guitar and express his voice. Townes van Zandt is a musical hero and influences his song writing style.
Modern psychedelic rock stuff mixed with folk music is the only label that Dustin likes to put upon himself and his music. During a pandemic Dustin has been working on his sophomore album and has been putting all his energies into his music music that makes him happy and hopefully his followers happy when they hear it when they seem live or when the album comes out.
For the future Dustin will be releasing new album in the summer of 2021. This was recorded with his band Dustin Brown and The Now. Dustin and the band have taken the time just to make sure that the listener gets chill experience. New singles should be coming out very soon.
Click below to hear the podcast from CloudwatcherUno featuring Dustin Brown. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
In 2016 Bobby Dove released ‘Thunderchild‘ a collection of country songs that explore being released from oppression or at least self oppression with country music stylings. One of the most phenomenal tracks is ‘Floor Licker‘ which deserves to be a in a car chase in a movie. Truly if they ever do Baby Driver 2 then this is the soundtrack for this movie. ‘Cowgirl Bob‘ is about a lawyer from Texas that Bobby met online and how fantasy fell apart when it met reality.
In February 2021 Bobby released ‘Hopeless Romantic‘ light years away from Thunderchild as Bobby’s experiences of travelling and touring across the country and playing in front of live audiences enriched her life experiences and her music focuses on unrequited love, being on the road, haunted hotels and hard-rocking pallbearers. The album was co-produced with Bazil Donovan (Blue Rodeo) and Tim Vesely (Rheostatics) at The Woodshed studio in Toronto. On Hopeless Romantic, Bobby collaborates with some of the finest in Canadian Country music including members of Blue Rodeo Jim Cuddy, Bazil Donovan and Jimmy Bowskill (The Sheepdogs, Blue Rodeo), and Burke Carroll (Kathleen Edwards).
The album itself was recorded with Bobby’s long-term band members from Toronto and was recorded pre-covid timesBut wasn’t ready to be released in the height of the pandemic getaway tracks still to be mastered. Bobby released the album herself without the help of a label as a digital release but other formats will come out in due course. Along with merchandise that supports this music.
“Bobby Dove is a gifted artist, and a brilliant new light on the songwriting scene… A time traveler, Bobby’s songs meld genres with the touch of a master. I am a fan.” Mary Gauthier
Bobby is currently hunkering down in western Manitoba, supporting the launch of Hopeless Romantic as well as developing The Bobby Dove Show, a virtual variety show, featuring Bobby’s new songs, and interviews with renowned roots/Country singer-songwriters from across Canada. Sponsored by the Canada Council for the Arts, the Bobby Dove Show will be shared on Bobby’s social-media as well as on bobbydove.com.
Click below to hear the podcast from CloudwatcherUno featuring Bobby Dove. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Ingvild Flottorp is a fabulously talented 22 year old Nordicana (Norwegian Americana) artist from Åmli, Norway. Ingvild comes from a family of musicians that includes her older brother and sister Johanne and Tobias who play together in Ruby Red and the Moonshine Brothers while Johanne also plays in the legendary The Northern Belle band.
Ingvild is the next generation of singer songwriters to come out of Norway to carry the flame for the Nordicana music scene. Her voice and music are reminiscent of Iris Dement and Kate Bush but with lush country overtones.
Her debut album ‘It All Seems So Clear’ by Vestkyst Records came out in April 2021 and it’s a spellbinding display of virtuoso lyrics, heavenly vocals supported by sublime pedal steel and fiddle.
In the podcast host CloudwatcherUno and Ingvild talk openly about the joys and lows of bringing an album to life only to have it nearly snatched away by the pandemic and the lockdown that followed not only in Norway but across the globe. It meant that the young star wouldn’t be able to promote her album by singing live to audiences across Norway.
With the help of Tobias who produced the whole album something magical has been born. Shania Twain was Ingvild’s hero and as a young girl dressed up and performed in videos for her siblings. This early exposure to country music from her father on road trips influenced her love for this genre. There’s also a rich folk tradition of making honest music that connects with audiences. The song writing process can sometimes take up to a year in trying to capture the sound that Ingvild is looking for.
Making and recording music brings joy to Ingvild and to us as fans of her imagination and you just have to listen to these magnificent songs. It took a year before Ingvild found a label that would champion her sound and promote it to a wider audience. Looking forward Ingvild has many more songs for her sophomore album which promises to be in a different direction.
Click below to hear the podcast from CloudwatcherUno featuring Ingvild Flottorp. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
1 year ago today on the 14th of June 2020 a new podcast was born. This podcast featured Pete Jackson an extraordinary storyteller and musician. Five seasons later and Pete Jackson is again on the CloudwatcherUno podcast celebrating this first anniversary of a podcast that has grown in reputation, scope and delivering insights into the world of song writing.
In this special anniversary edition Pete Jackson along with his musical partner in crime Brad Dear sing two live acoustic songs ‘Sail Away‘ and ‘I Still Believe‘. We have an amazing time catching up on the years away for stories and adventures during an age of pandemic when it seemed the forces of darkness we’re going to engulf us all.
“Music should not be a competition it’s a celebration.“
It’s always darkest before the dawn and a light that has been brought by musicians and artists across the world through many different genres has given us hope happiness and joy. Pete and Brad reflect what is been like for musicians during this period of lockdown, live streams and virtual gigs.
It’s been a real privilege to have been able to connect with independent artists across the world such as Pete Jackson, Chase Crawford, Sweetheart, J.Tex, Ottoman Turks, South Texas Tweek, Pearl Charles, Lauren Housley and bring their musical journeys to the world through this year of podcasts.
To commemorate this first anniversary heres a link to the YouTube podcast of the special 1st anniversary podcast.
Click below to hear the audio podcast from CloudwatcherUno featuring Pete Jackson with special guest Brad Dear. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Jordan Hook and Joey Berglund two uber cool busking musicians who became friends in 2019 and teamed up to be the supergroup Baxter Elkins. Hailing from Los Angeles the duo bring sunshine and extraordinary banjo, fiddle, guitar and saxophone playing with harmonies and vocals that many other musicians would kill for. Just watch their Gems on VHS submission ‘Judas‘ to understand what I’m talking about.
Making music that seems unmarketable to regular country music labels is the way that makes Baxter Elkins truly stand out from all the usual music that comes out of the Nashville music factory. Their album ‘Hard Times and Hootenany’s‘ which was released in November 2020Is an absolute delight they breathe life back into traditional music with a slick sense of humour running through it. One of the absolute classics is ‘15 years of bliss and a quick death what else can a man dream of?‘.
Baxter Elkins also submitted their entry to the NPR Tiny Desk Contest and if it wasn’t for the teeniest tiniest confusion about time zones I’m sure that they would have won the contest.
One of the bands absolute classics is ‘Werewolves‘ a song that he wrote for Halloween for a radio show I chose the collaborative efforts that Joey and Jordan bring to Baxter Elkins. Growing up Jordan was influenced by Townes Van Sant and Willie Nelson and this explains how a surfer became hooked into country music and Joey explains how in a city of 10 million people country music still has a place in Los Angeles. Is this eclectic mix of traditional and new that both artists bring to their philosophy of music.
The boys begin touring on Sunday 13th June 2021 at Lake Tahoe and continue across Nevada, Wyoming Pagosa Springs and Utah. For full details of venues and dates go check out their website or their Instagram page. Seriously what are you waiting for check out the music and if you can see them live!
Click below to hear the podcast from CloudwatcherUno featuring Baxter Elkins. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Lauren Housley is a true ‘Girl From The North‘ growing up in Rotherham and then moving to Newcastle and Manchester. Her musical journey began with releasing ‘The Beauty of This Life‘ and the tracks ‘Sweet Surrender‘ and ‘Ghost Town Blues‘. From there Lauren played at Blues Fest at the o2 and Nashville’s American Fest. Lauren then followed this up in quick succession with many gigs to build her reputation as a phenomenal troubadour. Then in April 2021 Lauren released ‘Girl From The North‘ an album that showcases her extraordinary range as country/americana singer, songwriter and lyricist.
In this podcast Lauren sits down with host CloudwatcherUno over a glass of wine to talk about how much her life has changed since those dreams of being a musician as a young girl in Rotherham. Two pivotal moments in her life has to be getting married to her friend and fellow musician Thomas Dibb in their one bedroom flat/recording studio and then the birth of their son Noah. Lockdown actually produced some extraordinary changes in Lauren’s life.
My favourite tracks from are ‘Whats Troubling You Child?’ which I first heard on Bob Harris’s Country Show on Radio 2, ‘This Ain’t The Life‘ and ‘Stay Awake To Dream‘. The new album was produced with the help of Mark Lewis who previously worked on Lauren’s previous singles. So many female artists have inspired Lauren by proving that you can have a family life but also carry on with the life of a touring musician.
Falling in love with Newcastle when Lauren was auditioning to get into university and a really strong feeling that this was the place she wanted to spend the next three years of her life and then met her best friend and then her future husband Tom also moved there to study music (they had met in college). Then spent the next five years gifting and learning the craft of songwriting. Lauren was inspired by the jazz, blues and roots music and then felt the need to grow and needing a change moved to Manchester.
The studio has now moved from Rotheram to the Yellow Arch Studios in Sheffield. During the lockdown Lauren and Tom performed ‘Tuesday Night Live‘ from their kitchen a unique live-streaming experience for fans and share their music and songs from the album. One of Lauren’s favourite moments as a musician is to hear the songs in her head and bring them to life and share with the world. For the future Lauren will be playing at festivals across the country and promoting the album when touring the country in November/December 2021.
Click below to hear the podcast from CloudwatcherUno featuring Lauren Housley. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Coleman Williams has country-western music bubbling away in his DNA while also bringing the energy and excitement of punk rock sensibilities to his music, his lyrics and ethos of his strange band.
“Music to me is like a way to communicate to anyone and anything even if you can’t understand each other. Music is the Universal language”.
CloudwatcherUno and Coleman talk about how every living thing responds to the frequency of music and if you just search on the Internet you’ll see cows loving music, the subtleties and complexities of the English language and literature. And how the written word is his true love and how he combines that with music. Using his music to express his views on love to other people.
Doc Watson’s music can transport Coleman through the power of musical time travel to his childhood running around barefoot and fishing with his friends. Music especially live music whether it be in a basement or a concert it is one of the best things that the young Coleman enjoyed and it is that joy that he tries to bring to his music. About a month ago Coleman got to experience some live music at a La Honda Records event with the Local Honeys, Vincent Neil Emerson and Riddy Arman.
Coleman’s music almost always has two versions this stripped down version and the band version and this is how he sees himself as a country artist who is willing to experiment and branch out. An artist is an artist and it is unfair to pigeonhole artists into categories dreamt up by marketing teams of big monolithic music labels. Artists shouldn’t have to apologise for trying to branch out into rock or metal or punk when audiences only see them as country music artists.
Coleman knows that he will have made it as an artist when he gets to play with artists that he loves, respects and idolises and then can collaborate with those singers and songwriters to produce music that is unique thrilling and experimental that delights audiences around the world. Being respected by his peers and the music scene now he will know that he has made it in this world of music.
Coleman loves his father and deeply respects his grandfather and especially his great-grandfather and wants to be an artist in his own right who is related to all the amazing musicians in his family but is known for the music he wants to produce and showcase to the world. If you haven’t realised by now Coleman’s great-grandfather is Hank Williams, his grandfather is Hank Williams Jr and his father is Hank III.
Coleman’s song ‘Son of Sin‘ It is his calling card to the music world that he is his own artist and not just a relation to one of the greatest country western legacies that still resonate today in 2021. Coleman’s forthcoming album and music will be a country record with elements of other music genre’s.
Coleman talks about how Hank Williams is still not a member of the Opry. Hank Williams has been synonymous with the country music institution. Williams remains a former member of the Opry. It’s a mistake that has continued to be made for the last 60 years. There are many organisations that pay reverence to the name of this classic country-western artist but show a lack of respect by their lack of action or monetisation of the Williams name.
More and more in this age, tradition and respect mean nothing and the all mighty dollar and disneyfication of what was supposed to be music in all it’s rich and varied history has been left behind. Coleman talks about this and how music is no longer the main reason for tourists to come to Nashville. Born and bred in the city, Coleman has seen with his own eyes all the changes generally for the worse that has taken over the city that he loves.
Coleman’s mission as he sees it is to help country and western music grow through the influences of other genres so that it doesn’t wither and die and country music needs to grow and change. Artists like Coleman are leading a renaissance in what it means to be a country and western artist in 2021.
Coleman is looking forward to performing with his strange band in the summer and autumn and perform in front of fans scratch that actual fans instead of just online shows. Long may Coleman and his band continue to make music that excites and brings joy to fans across the world.
Click below to hear the podcast from CloudwatcherUno featuring Coleman Williams. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Pearl Charles is quite simply a magician who has mastered the dark arts of creating cosmic country music with her album ‘Magic Mirror‘ with stunning songs such as ‘Only For Tonight‘, ‘Imposter‘ and ‘What I Need‘ she has pioneered new territory in combining the worlds of Americana, slide guitar country and western, soft rock disco, piano ballads, pedal steel harpsichord infused Fleetwood Mac, Abba, Toni Brown and Emmylou Harris.
Pearl Charles surrounds herself with cool doodads which give her inspiration and positivity inside her home in the desert. Dancing Queen was the jumping off point for Pearl’s ‘Only For Tonight‘ Andy is an outlier for the rest of the album as the songs that follow on the album don’t continue the Abba-esque music that’s captured by Pearl Charles on this track. We talk about astral projection alternate realities and what it means to be truly you in the universe that is constantly changing.
While Pearl and her band were touring of the ‘Sleepless Dreamer‘ record she was recording and writing the songs for ‘Magic Mirror‘. ‘Sweet Sunshine Wine‘ was released prior to ‘Magic Mirror‘ coming out as a single. The title of the album came to Pearl in a dream and reflected the magic that is Disney’s Snow White. We talk about how the magic mirror showcases the best potential vision of you but also delivers who you are right now at this point of time.
The album is fully biographical and captures Pearl’s hopes dreams and aspirations about relationships from breakup to sharing one’s life with a partner. Growing up Pearl was influenced by her father’s music collection which introduced her to Frank Zappa and Bob Dylan.
As a DJ Pearl likes to mix it up when she is on the dancefloor from disco to country and everything in between. Songs that Pearl has written to change especially if they are continuously on the set list and so they become almost like a alternate brand-new version from the one that was born on the keys of a piano.
Taking the pandemic in stride Pearl has been able to focus on performing with her band in preparation for when she gets to tour in England and Scotland in February 2022. Click below to hear the podcast from CloudwatcherUno featuring Pearl Charles. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Cristina Vane’s new album ‘Nowhere Sounds Lovely’, took two years for it to come out before fans could listen to her country and western music sound. In this podcast with CloudwatcherUno we get to talk about her experience of touring while writing the songs for the album, moving from Los Angeles to Nashville and then getting Rodney Dawson and Cactus Moser to mix and produce this amazing album.
Cristine is very much influenced by traditional country music brings with it a modern sensibility That captures the experience in all its ups and downs of being a travelling musician and not having a home or a homeland and that uncertainty brings its own friction and is captured not only in the songs of this album but the mood of the album itself.
While studying at Princeton it didn’t really seem like a possibility for Christina to pursue a music but then after graduating she gave her whole heart and soul to becoming a singer songwriter and to take her songs across the United States. Pete Steinberg became a mentor of sorts for the young Cristina Vane and he inspired her from giving guitar this lessons, encouragement and support as he could see the potential within another human being to produce passionate music that connects with other souls.
For Cristina to sing the words that she is written down on paper and that she is kept for his songs and produce music for fans that is her favourite thing to have achieved as an artist. Songs can be very traditional verse chorus verse chorus bridge but what’s most important for her is to convey a message something I can connect with other people to lift their spirits. For the future Christina plans to tour over the summer and then to get back into the studio to begin recording album number two.
Click below to hear the podcast from CloudwatcherUno featuring Cristina Vane. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Nick Shoulders is the whistling, yodelling, guitar picking, mouth organ playing and bird calling superstar of the Ozark mountains. It was a privilege and a joy to spend time with my hero and get to talk about all the joys and happiness that is music as broad to not only me but to legions of fans across the world. Nick takes the sounds of yesteryear and melds them with the heavier rhythm of todays music.
A saving grace for Nick in these Covid times has been connecting through the screen and connecting through the ones and zeros of the digital world. Playing country music has allowed Nick to connect with history in a real tangible way and a tradition of music which is larger than any musician and play ‘Grandpa Music’ and take what’s compelling about the music and make it his own. The lines between what is Folk Music and Country Music get blurred and the artifical barriers created by marketing teams of the music industry quickly dissolve into nothingness when you hear such songs as ‘Snakes and Waterfalls‘, ‘Black Star‘, ‘Rather Low‘, ‘Bound and Determined‘, and ‘Turn On The Dark‘.
Learning to warble from one set of grandparents, having a fiddle passed down to him from his other grandfather and having the wide open spaces to practice his vocal skills and fiddle playing has turned the young Nick Shoulders into a virtuoso instrumentalist. Moving to New Orleans Nick cut his album ‘Lonely Like Me with Mashed Potato Records and got his buddies to play the instrumental parts and the result is magnificent. One of the outstanding tracks on that album is a old Elvis Presley song ‘Black Star‘ a song that was a favourite of David Bowie and soon was a favourite of Nick’s as well.
In New Orleans Nick was a drummer for hire and played with Sabine McCalla and his metamorphosis to singer songwriter was complete with his album ‘Okay, Crowdad.’ The artwork for all the albums is doe by Nick himself as he is a painter and illustrator and these talents are further showcased in his new album ‘Home On The Rage‘. The blonde Mardi Gras haircut has now become synonymous with Nick’s musical persona as has his collaboration with fellow Ozarkian and family member in a distant way Willi Carlisle. Gems on VHS, Western AF and others have catapulted Nick into the public consciousness with their ‘Vidjas’ (Videos) that capture the essence of this musical genius.
For our audio pleasure Nick Sings acoustically his warm up song ‘Irene Goodnight‘. Take a moment and just listen to a little slice of heaven.For the future Nick will be travelling and paying shows across the states and even across the Atlantic to England in the autumn.
Click below to hear the podcast from CloudwatcherUno featuring Nick Shoulders. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict or wherever you listen to your podcasts.
Nick Garza comes from a long line of Texans and it’s this history combined with the music of the great state that influences his lyrics, songs and outlook on life. On this podcast CloudwatcherUno and Nick talk about the stories behind his songs ‘I’ll take another Margarita‘, ‘Muchacha‘ ‘Take me down to San Antonio‘ and ‘Denial‘, We also hear Nick sing acoustic versions of some of the songs and the collaboration process with other artists such as Augie Meyers and Los Texmaniacs.
Nick also answers the life-and-death question of which city has the best tacos is it Austin or San Antonio? We talk about how it sometimes takes weeks and months to finish a song and how he uses a voice recorder memo function on his phone to put down ideas for his music. He currently has 2500 voice memos Which all could turn into fully fledged songs.
Now that the world is slowly opening up Nick is focusing on releasing singles all the rich would complete his first album and then being able to play those songs in front of a live audience. I for one can’t wait to hear new music from the Tex-Mex legend that is Nick Garza.
Click down below to hear the podcast from CloudwatcherUno featuring Nick Garza’s Get Along. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Sam Phelps sits down with host CloudwatcherUno about his new EP ‘Talking to a Friend‘. We talk about sentimentality and nostalgia and how that has influenced his songs, his experiences of playing guitar in different bands and how coronavirus brought those collaborations to an end and began his solo career. Hailing from Kentucky, Sam has been playing guitar since the age of 15 and enjoying the freedom of the country. After living in Austin Texas, an invitation from a friend brought him to New York.
‘If I ever wrote a song like my heroes I feel that I have made it and that’s all I need.‘
Sam’s inspiration for his music comes from bluegrass music, Steve Earle And the music scene in New York. Having a little twang in his voice it makes sense for Sam to sing country western music. Sam wants to make honest country music and will continue to do so even with the pandemic making it hard for artists like himself to perform live for fans. Sam has more songs to release and it is going to be a question of time and opportunity to bring them to a wider audience.
Click below to hear the podcast from CloudwatcherUno featuring Sam Phelps. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
“Jesus, Red Wine and Patsy Cline, Victoria Bailey’s new album is getting 5 star reviews absolutely everywhere. There’s just not a bad song on it.” Bob Harris, Radio 2 – The Country Show with Bob Harris.
Victoria Bailey’s album ‘Jesus, Red Wine & Patsy Cline’ combines the three things that she feels most defines her right now in the middle of a pandemic. Her love for her faith, a good glass of wine and classic country music from her heroes Patsy Cline, Emmylou Harris, Loretta Lynn, and Dolly Parton. The album was produced by Jeremy Long (released in 2020 via Rock Ridge Music). It’s a timeless classic honky tonk album that announces Victoria as the newest generation of artists to carry on the legacy of those legends.
In this podcast CloudwatcherUno sits down with With Victoria Bailey and we talk about putting out new music, releasing a full album in the pandemic and concentrating on live performances. Two new songs will be released in the coming months, one is an original ‘Queen of the Rodeo’ (there’s also a video that was filmed for the song as well as meetingfilming the real life Rodeo Queen of California Morgan Laughlin) and another is a Randy Newman cover ‘Rider in The Rain‘.
LA is not known for country music but it was the birthplace of the Bakersfield Sound that included such artists as Merle Haggard, Dwight Yoakum, Buck Owens and Victoria Bailey has captured that sound in her music and her album. Although Victoria Bailey didn’t grow up with country music, her father’s influence came with rock ‘n’ roll and her mother played folk records but fell in love with country music when she visited Nashville for the first time.
We talk about inspiration for the ‘Ramblin’ Man‘, ‘Skid Row‘, why outlaws are so charming, why Springsteen is really the boss and whether teenage Victoria Bailey thinks adult Victoria Bailey is really cool or not? Why her voice is her first instrument followed closely by her guitar, looking at touring in England and playing live music.
Click below to hear the podcast from CloudwatcherUno featuring Victoria Bailey. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Sabine McCalla has a voice that is the lovechild of Nina Simone and Etta James. Yes, that would be impossible but if you could, then ladies and gentlemen, Sabine is the artist who is that golden child. Growing up in New Jersey, Olympia, Washington, Asheville, North Carolina but her heart was crying out to live in a place that has no winter and this is where we find her on the CloudwatcherUno podcast at home in New Orleans. We talk about the back story about her video ” Baby, Please Don’t Go” with WesternAF which was filmed with friends Casey Jane Reece-Kaigler, Sam Doores and Gina Marie Leslie during the Folk Alliance convention, its how I was introduced to her beautiful voice.
Sabine’s 2018 EP ‘Folk‘ is full of the first couple of songs that she wrote out of her journals, memories of her first days of New Orleans and is her tales of her heartbreak. New Orleans just started to influence Sabine spiritually, mentally and musically.
We talk about the influence of her sister Leyla McCalla but also how the tone of her music is more inspired by the Appalachian mountains, americana and artists like Janis Joplin and The Beatles, Whitney Houston, Nina Simone, Mowtown, The Supremes and even Rod Stewart. Sabine has played at the Newport Folk Festival and Brooklyn Americana Music Festival.
Music has been the saviour for Sabine and singing on her covered porch has made it possible to record music at a safe social distance. For the future Sabine has a lot of ideas for collaborations with other artists but will focus on recording her own music. I can’t wait to hear the next chapter in Sabine’s musical journey.
Click below to hear the podcast from CloudwatcherUno featuring Sabine McCalla. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Brandon Padier sits down with host CloudwatcherUno as they talk about the inspiration behind his albums ‘Brothers Of The Flood‘(2020), ‘Rock and Roll Heart of Gold‘ (2019) and ‘To God Be The Glory‘ (2018) such songs as ‘Once Again (I’m Alone)‘ ‘The Hardest Thing‘ and ‘To God Be The Glory‘ his musical history of being in the band ‘Adopted Kids‘, and how being the guitar player led to him becoming a singer. His musical influences such as The Beatles, Jason Isbell, Neil Young, Tom Petty, The Band and The Grateful Dead are evident in the songs that he has released.
For a self confessed introverted personality Brandon comes to life when talking all things music, art and culture. Taking that first step into song writing was only natural after having written the songs themselves. we talk about how music is a universal language and his love of playing instruments such as the piano and trombone and especially those that challenge him especially the fiddle and the sitar.
Brandon is working on his new album and is being influenced by The Byrds, Wings era McCartney. The songs for this album are akin to tackling life in these pandemic times and universal concepts of isolation. The magic will be turning these simple concepts but turning them into something incredibly profound.
Click below to hear the podcast from CloudwatcherUno featuring Brandon Padier. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Willi Carlisle is what the world wants, what the world is waiting for, he is the poet of the Ozark Mountains, the lyricist of Arkansas who has graced us with such songs as ‘Cheap Cocaine’, ‘The Cuckoo’ and ‘Stone County’ all of which you can find in this latest podcast with host CloudwatcherUno. If you were in any doubt to the talent of this folk singer then listen to his EP ‘Too Nice to Mean Much‘ and album ‘To Tell You the Truth‘ it will stir joy and happiness in even the most sceptical mind. There is no doubt that Willi is an artist that he belongs alongside the heroes of yesteryear.
‘THE BEST AMERICANA ARTIST YOU’VE NEVER HEARD OF’ ~ THE GUARDIAN
Willi is a musical poet, playwright and songwriter come down from the mountains to bring the music of the heavens to this world. His blend of old time music, banjo plucking, fiddle playing and accordion brings a southern sensibility to tunes that are timeless.
Following in the footsteps of Roscoe Holcomb, Janie Hunter, Ralph Stanley and Glenn Ohrlin. Willi has travelled the country, Canada and the UK to showcase his unique talent. A storyteller at heart he has gathered legion of fans by appearing on the coveted Western AF videos, this video channel has become a focal point for all those listeners who wonder where they can find true folk/country music.
‘THE MAN’S ENERGY IS BLINDSIDING, HIS SONGWRITING IS TERRIFIC, HIS HEART IS BIG ON EVERYONE’ ~ WESTERN AF
In the podcast we learn about Willi’s love for being a Square Dance Caller and an auctioneer and being able to find his voice and express that through his music. We talk about what it means to be singing folk songs at punk venues, protest songs in response to the death of Michael Brown Jr, reinterpreting traditional music for a younger generation and the relationships between rural and urban communities.
Click below to hear the podcast from CloudwatcherUno featuring Willi Carlisle. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
John Smith is a Spotify sensation having amassed over 40 million streams for his songs. On the podcast host CloudwatcherUno spoke with John about his childhood, his musical influences and his sixth album ‘The Fray’ which is released on Friday 26th March 2021 via Thirty Tigers.
Having become a professional musician at the age of 22 and playing pubs and clubs for three years, John started to make a name for himself. He became known for being a virtuoso guitarist, exceptional lyricist and singer with the kind of voice that is dripped in velvet. He crossed paths with Cara Dillon and Lisa Hannigan and started touring all over England, Ireland and Australia as a side man while making his own records. His reputation as a session musician grew as he played for Lee Ann Rhimes, Roseanne Cash, Joan Baez and Tom Jones.
Starting off playing with the piano, then drums John settled for the guitar as his instrument of choice and has been playing this iconic instrument and has been a good friend to him for the last 27 years. Growing up John spent his time day dreaming at school, getting terrible grades and generally hating the experience until he went to University to study music and then out into the real world where he could do whatever he wanted.
John is a man on a mission to save your ears from the tedium that passes for music out there on the internet. His sixth album was written as a response to the cards that life had dealt him at the beginning of the pandemic in 2020. Having had his remaining gigs in Australia cancelled followed by distressing family heartache there didn’t seem much hope of retrieving his life as a touring musician.
John had one remaining card to play and in September 2020 he went back into the studio to begin work on his new album. With the help of long time friend and producer Sam Lakeman life was breathed into songs that began life on paper. The album is a testimony to the craft of song writing, arrangements and production that has been John’s signature sound.
Smith reached out to fellow musicians across the world to record remotely or virtually onto the album – Jessica Staveley-Taylor of The Staves, Sarah Jarosz, Courtney Hartman, The Milk Carton Kids, and Bill Frisell from the Americas and Smith’s frequent touring partner Lisa Hannigan via a virtual studio session in Dublin and others added their magic to the album.
‘The Fray’ is a truly phenomenal album, that shows what it’s like to be vulnerable, to hold onto the dream of love when the reality and hard times has driven that to collapse.
John’s voice is the key to this album it takes your hand and carries you into a world that reflects the trails and tribulations of living life in the 21st century. ‘Friends’ is a love story to the bonds of friendships and all those souls who have come and gone and still mean that much in our lives. It showcases exquisite lyrics delivered by a voice from the gods. ‘Hold On’ is a beacon to us all that better times are coming and that we shouldn’t give up but find the will within ourselves to carry on living. ‘Eye To Eye’ is a plea to make things work out and making things right between lovers when all that remains is silence. ‘Deserving’ is the most honest song about love, heartbreak and wanting to be deserving of being in a relationship with another human being.
Update: On 28th March 2021 John played a show for fans to celebrate the release of the album. It was streamed live around the world by Mandolin as John performs from the legendary Yellow Arch Studios in Sheffield.
Click below to hear the Artist Showcase podcast from CloudwatcherUno featuring John Smith. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Allison Leah is a folk-pop singer originally from New York but now based in Nashville, Tennessee. 2020 may not have gone as planned but Allison wanted to carry on with her plans and to continue with her new music projects after her ‘Fly Home’ EP.
In this podcast host CloudwatcherUno talks with Allison on being there every step of the way in the production of her new music and how she has grown as a songwriter. Concentrating on more mature stories and evolving into a more true pop sound. There’s more fusion of genres and as an independent artist Allison can experiment with what she wants to release. We get to hear ‘Colorado’ and ‘We Can Still Sing’.
Last Spring was to be Allison’s biggest tour starting off in Kentucky but then the pandemic arrived and it was all cancelled. This lead to Allison being in lockdown with her family but also resulted in her writing and releasing her pandemic anthem ‘We Can Still Sing’ a response to what she was seeing from Italy and the lockdown that was happening there. The song was a family affair with Allison getting her siblings joining to do background vocals, Allison herself did all of the arrangement herself and her sound engineer father mixing the whole track. It’s a song for the world and has helped many people across the globe deal with quarantine.
Growing up in a musical household let Allison explore her fascination with music especially musical theatre. Allison really enjoyed playing piano and loved singing along to the radio and on stage and was influenced a lot by the music around here which was classic rock and jam bands and listening to artists such as John Mayer, Rachael Yamagata and Trevor Hall. Allison’s first break as a singer was singing in front of the school aged just 5, from there she was hooked on the adrenalin in performing for an audience.
“IT’S THE GREATEST FEELING IN THE WORLD WHEN FANS LISTEN TO YOUR MUSIC”
For Allison it’s the joy of singing and performing that has led her to sing at the Blue Bird Music Cafe in Nashville, The Bitter End in New York, Sofar Sounds and House Shows. Allison’s plans for the future will be to release new music in the genres that speak to her from the heart and to her fans. This year is one of opportunity and being able to showcase her beautiful voice on her new records.
Click below to hear the podcast from CloudwatcherUno featuring Allison Leah. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Matthew Fowler’s first album ‘Beginning’ was released when he just turned 19 and he hasn’t looked back since. That’s the record that made his name in music. In this podcast host CloudwatcherUno sits down with Matthew to talk about his journey not only as a musician but as a documentarian, his love for all things Japanese including Godzilla and Akira, why modern movie trailers ruin the movie going experience, Star Wars and his love of Glen Hansard’s music. We get to listen to ‘Blankets’ and ‘Beginners’ from that first album. His next album will be released by Signature Sounds in Massachusetts later this year.
Matthew started his life as a touring musician with fellow singer and friend Reggie Williams and got see the great American landscape. He’s also collaborated with The Prado Sisters on his first album ‘Beginning’ and have played woodwind instruments on the the upcoming second album. Another passion of Matthew’s is being as a videographer/documentarian and it’s his favourite way to travel filming bands such as ‘Just Neighbors’ on tour in Japan.
“PLAYING MUSIC LIVE IS A VERY FULFILLING EXPERIENCE”
Matthew’s music is authentic and you get an immediate reaction that connects you as an audience to something that’s real and fills your head with the music that dreams are made of. It’s like having your life put to music and the soundtrack is one that other travellers can enjoy. Matthew follows in the footsteps of Ryan Adams, Damien Rice, Ray LaMontagne and especially Glen Hansard.
Glen’s music has been such an influence on Matthew and how you can be a vulnerable artist working in the top tiers of music but still remain a normal human being who you could drink and hang out with. Having met Glen quite by accident when going to one of his gigs, Matthew is determined that one day he will collaborate or tour with his idol.
Music is a language that is spoken all over the world and Matthew can speak it fluently. For the future Matthew is excited for the world to open up again so that he can start touring and promoting his sophomore album when it is released.
Click below to hear the podcast from CloudwatcherUno featuring Matthew Fowler. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts
Darling West are the cosmic folk duo hailing from the land of Norway who have released Spelleman-winning (Norwegian Grammy) album ‘Vinyl and a Heartache’ and such hits as ‘Rolling On’, ‘Traveller’ and ‘The Sweetest Tune’. Host CloudwatcherUno sits down with artists Mari and Tor Egil Kreken to talk about their music, gorgeous lyrics and phenomenal harmonies and melodies. In the podcast Darling West perform live acoustic versions of ‘Rolling On’ and ‘Loneliness’ and there’s also the album version of ‘The Sweetest Tune’ that starts the show.
Darling West started life as folk trio with very dramatic thoughts on how they would be a band and ended up more into cosmic folk territory with electric guitars, drums and the banjo. Tor plays claw hammer style banjo like his Appalachian heroes of the US. Darling West’s sound started out as an interest in old fiddle tune time songs with mountain folk vibe similar to the music from the film ‘O Brother Where Art Thou?’ It was a jumping off point for the band to start their exploration of building and writing their songs.
The last EP ‘Interpretations’ explores their love of pop tunes through a country landscape. The music on the EP brings them joy and that translates to the listener when they hear the tracks ‘Don’t Start Now’, ‘Pamela’ and ‘Bulletproof’. It’s a way of expanding their audience’s expectations of the band. It was a challenge to find the tenderness within the original lyrics and the almost harsh production style and reimagine with a much softer gentler interpretation.
Darling West also bring their sound to life by showcasing their music through their Friday Sessions cover videos available on YouTube and Instagram. They bring the joy of their music by collaborating with fellow artists such as Hayde Bluegrass Orchestra. The ‘Friday Sessions’ started out as a response to the duo experiencing the lockdown in Norway and not being able to go out but still wanting to connect with their fans and audience. It’s a lot of work learning a new song every week and then record it flawlessly as a live video to such a high professional standard. Don’t expect the sessions to continue forever though as the duo need to work on releasing their own original music.
One of my favourite songs from the album ‘We’ll Never Know Unless We Try’ is ‘Home’ written by Tor Egil with Mari in their family’s cabin and was a song that just came out so easily and encapsulates the cosmic folk catalogue of Darling West. You can feel the influence of Gillian Welch in the lyrics and it sounds like poetry put to music.
The duo have adapted as well as they can to having to put touring to one side and have now been able to focus on the Friday Sessions, their songcraft and building a nice home for themselves to create an atmosphere conducive to blossoming their creativity. Without the pressure of trying to make a Darling West record has enabled them to explore different genres, sounds and musicality.
Growing up Tor Egil started off wanting to play football but that obsession was overtaken by learning to play the guitar while listening to his older brothers record collection. In junior high school reading about musicians playing their instruments and touring with their bands, Tor Egil knew this was going to be his life. When Mari and Tor met 15 years ago, Mari didn’t even play an instrument. Mari always enjoyed singing and her father always sang as a way to relax. There was always country music on the radio. After 7 years together Mari also wanted to become a part of the musical community in a real way and bought her first mandolin. It took a lot of practice before Mari felt that she had the sound she wanted from her instrument and could call herself a musician. It was all worth it as the duo have released four albums showing their incredible virtuosity, skill and range in producing stellar music.
Mari and Tor Egil don’t right formulaic music or middle of the road tunes for them there is no formula that they stick to. They want to keep their music as alive as possible and act as a homage to the Norwegian mountains. Speaking metaphorically if they found themselves in lifeboat having to recue their songs then they would save ‘Darling West’, ‘Vinyl and a Heartache’, ‘Someone Like You’, ‘Rolling On’, and River.
Darling West are at the forefront of the Nordicana music scene and bringing their own twist to the traditional Americana/ Appalachian music that’s been produced and being released. Their music is full of guitar, banjo and pedal steel which envelops the listener transporting them to a mythical country and western world. Going forward the duo want to focus more on their own song writing and they have more time to really record the songs they want in the style and production that showcases their music the best. A new album will arrive and when it does you know it’s going to be fantastic.
Click below to hear the podcast from CloudwatcherUno featuring Darling West. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
CloudwatcherUno speaks exclusively with David Jameson an American singer-songwriter from South Bend, Indiana. Through collaboration with Radio West Virginia he has released videos that perfectly capture his blend of American roots music styles including folk, old-time, and outlaw country.
Who Is David Jameson?
Right now, I live in Texas. During the last five to ten years, I’ve been living all over the world, but I grew up in the Heartland. A lot of my music influences are classic country and traditional Appalachian music, Bluegrass and old time music.
How excited are you in sharing new music this year?
I’m very excited. There’s really no other way to think about it. The songs have been really well received by everyone who has listened so far. I’m excited to share them more broadly.
How are you finding the process of releasing music during the pandemic?
It’s certainly a bit more difficult. Travelling and recording in the studio can be difficult while trying to socially distance and wear masks, especially for me since I am a singer. With almost any other instrument, the musician can wear a mask, but I can’t at least when I’m singing so I keep it on all the time and take it off right before I sing. After I finish, I put it right back on.
What was it like writing and recording ‘Sherman’s March’?
I was in West Virginia and had just visited WB Walker on the Old Soul Radio Show. I popped over to Boone County, West Virginia to record this video out in the holler amongst the trees. It was a beautiful location, and I was surprised that we were able to get such high quality audio because it was quite windy. My fingers are not used to playing out in the freezing cold, but it was a beautiful spot to hang out and play.
Tell us more about the video and how was it produced?
John Price of Radio West Virginia (RadioWV) and I walked out into the woods with a camera and a microphone, and we tried to find a spot that wasn’t too windy. And we scouted around, set up the microphone and plugged in my guitar so that we could get a clearer sound, and finally we got around to shooting the video.
You’ve talked a little bit about Radio West Virginia, can you talk more about your connection with them?
I’ve been a fan of Radio WV for quite a long time. John and Draven promote a lot of talented regional artists, and they do beautiful videos out in the woods of West Virginia. The musicians are fantastic. They’ve done videos with Charles Wesley Godwin, Drayton Farley, Cole Chaney, Logan Halstead, and many others. All of them sound great, and their videos have been really popular with people across West Virginia and beyond.
You already released ‘Tall Dark Pines’ through Radio West Virginia so what was that like?
It was great to get down to Dingess and Boone County, West Virginia. I’ve been to Tennessee and Kentucky but never to West Virginia, and it’s a whole different place. It’s gorgeous. A lot of the good murder ballads come from Appalachia. ‘Tall Dark Pines’ is very much inspired by traditional American music like the song ‘In The Pines’ or ‘My Girl’ depending on who sings it be that Lead Belly, Nirvana, or somebody else. ‘In the Pines’ is very much about the pines, and my song pays homage to that so it was very cool to sing it amongst the pines, out in the woods where the majority of the song takes place. Plus, ‘In The Pine’s is also a murder ballad of sorts, but the traditional song is much more gruesome than mine, even though mine is pretty explicit.
Do you sing any happy songs?
Yes, I sing happy songs for sure! My music reflects the range of experiences that you might have in life. The things that happen in real life are the strangest. ‘Tall Dark Pines’ is based on a murder that happened in my home town in Indiana. I put that story down in a song just like they did in the original murder ballads from the early days of the US. The truth of the story makes it all the more haunting.
Can you explain what your sound is?
The best way to describe my sound is that I’ve been channelling some of the early sounds of the United States including an Irish influence in the vocals and chord structures. I try to bring those storytelling songs into a modern era, so they may feel a little old but they still are relatable to people of today.
Do you think an artist now can afford to be just in one genre of music or should they cross genres?
I’m not sure what an artist should or shouldn’t do, but for me each song writes itself and sometimes a song calls for a slightly different sound. Some of my songs have come out as more of a rock song while others are more traditional country tunes in the Carter Family style with the Carter scratch.
Can describe the feeling that you get from actually having released a song from beginning to end?
Finally getting a song out is a relief. A lot of time goes into writing, refining and recording the song and preparing everything around the release. When the song gets out there you can finally let the bird fly.
You released a song called ‘South Bend Town’ and you were raised in South Bend, Indiana what was that like?
It was a really cool experience. I have lived in Texas off and on for a long time so going back home to South Bend was great. I enjoyed meeting some of the music community there who play music locally and nationally. I was starting to write the music for the album at the time and I thought that it would be more interesting to do something for the community. When I mentioned that idea to other people and they were super excited about it and wanted to join the project. Then I ended up recording with a number of artists who are popular locally and nationally including the guitarist from Umphrey’s McGee who is from South Bend, Jake Cinninger. I also met other artists who didn’t lay down tracks for the song, and they provided their invaluable guidance. In particular, The Bergamot and Francis Luke Accord have been very helpful. The song was received really well in South Bend and beyond with 20,000 plays across 50 different countries. In South Bend, a lot of people wear the South Bend Town t-shirt. Some of the kids especially my nieces and nephews sing it constantly because it’s very catchy and specific to South Bend. In South Bend, it’s had a big impact!
It’s a great song. Sounds like you had a lot of fun.
I had a lot of fun making this song.
Growing up did you always want to be a musician?
What kid doesn’t want to be a musician? It’s kinda like wanting to be an astronaut. Seems cool, not really sure how to do it. I don’t know if I intended to be a musician but I always played. I played with my family, and I played in bars in China when I was living over there. In China, a friend dragged me to go try out for a TV show, and we ended up making it on to the show. Then I thought maybe I could do something with my music, but back then I was singing covers in Chinese. Singing somebody else’s songs doesn’t have the same emotional punch as singing my own songs so I wanted to come back to the US and write my own stuff.
Tell us more of you being a western singer but to a Chinese audience.
It’s certainly a unique experience and in particular for me as a singer. I really like a lot of the Chinese music especially the folk music. It’s weird singing it though. Even though I can say the words and understand them, they don’t have the same impact on me. Like the word love doesn’t have the same emotion depth in Chinese because I don’t have all the experiences attached to the word. For example, as a baby, my mother said the word love to me many times in English, but no one said that to me in Chinese. So trying to sing a love song feels a bit empty emotionally. It doesn’t have the same kind of emotional release as it does for me in English. I have to think about it a lot more deeply to feel the meaning.
What’s your instrument of choice?
Definitely the guitar.
And how long have you been playing the guitar?
I’ve been playing the guitar for well over a decade. When I was younger I played the piano but I wanted something that was more mobile because I knew that I would be travelling around quite a lot. And more recently I’ve inherited my grandfather’s banjo so I’ve been learning that as well but I’m not ready to perform with that as of yet.
What kind of music inspired you and has stayed with you now?
Certainly singers like Johnny Cash and Elvis. They sing more in my range especially Johnny Cash. Very few singers today sing in that range. Many singers now have high voices and that’s just not my range. As a kid, Johnny Cash was one of the few singers that I could sing along with and the same with Frank Sinatra. I really liked those artists because I could actually sing and perform their songs and sound like the record.
What’s it been like for you as an artist not to be able to perform in front of an audience in these strange times?
It’s a lot like performing in front of TV where I wouldn’t really perform in front of anybody and sometimes there might be a studio audience of a couple of hundred but most of the audience would usually be behind the screen. So performing and recording these videos with Radio WV just feels normal, but certainly not being able to perform in front of a live audience and seeing their response changes the way that I write because I’m not getting the feedback from a larger audience.
What do you think fans get from your music?
It depends a lot on the song. Often I start with an emotion or a story that’s actually happened and think about how that actually makes me feel or how would it make a person in that story feel. Everything from the music to the lyrics, it’s all meant to create a feeling within the listener. Whether it be angry, sad, happy or nostalgic, I try to take that emotion and carry it through the whole song and the production.
And what songs do you feel have connected for you and with an audience?
The song in the last few years that made me feel the most was ‘Scarecrow In The Garden’ by Chris Stapleton, it’s a fantastic story about a family coming to America, creating a farm and life becoming more and more difficult as generations pass. The last line of that song still gives me Goosebumps. It’s such a powerful story, and the last line makes you really think about Heaven and Hell. The last lines are ‘There’s a bible in my left hand and a pistol in my right.’ Implying that he’s either going to find solace in the pistol or scripture. It’s a very dark choice. It’s pretty powerful emotionally.
For my music I have a very large extended family and often we’ll have a Zoom call where everyone gets together, brothers and sisters, anyone who can join. I played them all a song based on a family story of my Grandfather who was a Pastor. It’s called ‘Eye for An Eye’ and everybody was crying before I even sang halfway through it. It was pretty powerful to see how much they were moved by it. I’m not sure the average listener would cry while listening this song, but it really impacted my family.
Music is such a powerful experience do you feel a responsibility at all as an artist?
I feel that music should capture the real human experience and pop songs going into the pandemic were only happy songs, but people didn’t feel happy so why would you give them songs that don’t match their emotions. Sometimes you want that sad song. A lot of the old country songs are about real life, and I think that art has to represent real life. People can’t as easily connect with an emotion if it’s not represented in art. If you don’t have words to describe sadness then you struggle to feel it. And you struggle to capture in words what it might be. It’s easy to say this song is what I’m feeling because it’s more fundamental to your emotional state and it captures an emotion that words cannot.
That’s a fantastic answer.
Looking ahead what next for David Jameson?
Still pretty much focused on the album, I’ve yet to come up with a name yet. I’m still getting everything together so I can release in the next few months. This week ‘Sherman’s March’ video will be released on Radio WV and then more to follow. They are great videos and were really fun to shoot.
Checkout the video for ‘Sherman’s March’ by David Jameson with Radio WV.
CloudwatcherUno interviews the founders of the Power and Roots Revival Festival. We talk about what it means to start a new festival and the passion that is needed to bring it to life. Headline acts for the festival will be Them Dirty Roses, 49 Winchester and Whiskey Foxtrot.
Why set up a new Festival?
After the year and half we have had I figured we needed something to look forward to. It gives bands a place to play, people a place to come and have a good time and revel in the simple act of being together again. I think we have seen and felt how important that is.
Why is it called Power and Sound Revival?
I wanted a name that would get across what it was about. The power being the car/bike/van show. The Sound being the music and the engines. The revival part because of what I previously stated, about reveling in the simple act of being together again. I have to credit my brother Seth for the name though.
How did you find your artists?
Alot of them I already knew personally or frequently listened to their music. I reached out to some of my favorite NC and regional acts and luckily they were down to do it.
What’s it being like to organise a festival from scratch?
It’s been a learning experience for sure. Going into it I knew the basics of a festival but not the tiny little details that actually make it work. Michelle and I have both worked hard and learned a ton. Luckily everyone I have reached out to ask questions has been so helpful and willing to help out.
Why are you so passionate about music?
I’ve grown up around it my whole life. My older brother started playing music at bars when he was 14 and I always tagged along even though I was only about 10 at the time. I got to meet a lot of great musicians and music fans because of that. That is definitely where the love of it started, getting exposed to the music scene at such a young age.
Which band are you most looking forward to seeing performing?
That’s a hard question, I’m just happy to see live music again. I’m excited about all of the bands playing.
How much has the pandemic influenced your thinking around keeping everyone at a safe distance?
It has had a huge part in how we are going about things. We’re going to take all the precautions we can at the time of the festival. As well as encourage social distancing and wearing a mask.
How important is everyone safety while their at the Festival?
It’s obviously very important to us, we are going to do everything we can to keep it safe and practical for all of our attendees.
This seems to be a true family affair how did this come about?
Well it kind of goes back to my brother playing in bars at 14. Obviously he needed an adult to get in and play so my parents came and so did I. Michelle, my mom started booking all of his bar gigs and eventually started her own booking company. As I got older I knew I wanted to do something in the music industry, so here we are.
Knowing now what it takes to put on the festival would you do it again?
Most definitely, we’ve been pulling this thing together during the pandemic and figuring out how to make it as safe as possible. So I figure if we can do this during a pandemic the other years should be much easier….hopefully
Where do you see the festival growing in say 5 years?
I would really love for it to be a 3-4 day festival with multiple stages. Be able to hire more artists and help get their name out there. Maybe also have a bike ride to the festival as well. We have a lot of ideas about how we could expand on the festival, we just have to get the first year under our belts.
So make it a date music lovers go check out tickets at powerandsoundrevival.com
CloudwatcherUno exclusively got to sit down with the whole band to talk about their songs, the new album and music influences. One of the first to hear the full album outside of the label ‘Ottoman Turks II’ is that rare beast where the sequel is even better than the original. Think Empire Strikes Back meets the Godfather 2 as a guide to how awesome this album is. In 2019 the first album was released there were so many unrecorded and unreleased songs that a part 2 was always on the cards. Ottoman Turks new album ‘Ottoman Turks II’ is released in April 2021 from State Fair Records.
Many many moons ago Paul and Nathan met each other in the seventh grade and then Nathan met Will at the same high school while Will and Josh have know each other since first grade. Paul, Will and Nathan came together to play music after being in a few bands where they were influenced by americana music and jazz music. Josh wasn’t a part of the band initially but was writing guitar parts for the band but the band didn’t truly start until Josh became part of the band in September 2012.
Tracks that stand out on the album are ‘Travelin’ Blues’, ‘Cigarettes and Alcohol’, ‘Zootstack Lightnin’, ’35 to Life’ and the goth country classic ‘Militant Preacher’. Most of the album was recorded in February 2020 before the lockdown. The band tried to be a straight country act but the band and much more fun breaking down musical genres and mixing it up and making it a sweet Ottoman Turks sound. Its good to be different but its also difficult to be different it makes for interesting mix when playing under a country banner even though they not be your middle of the road country band.
Ottoman Turks videos are something that the band take immense pleasure and joy in. A fantastic example is 35 To Life video is based on JFK coming back to life and taking revenge on Dallas the city where he was killed.
Glass Bottles was one of the first videos that band did where they thought the visual media could fully express their joy. They are a unique band that will continue to put in as much effort into their videos which act as a calling card to their fans in these pandemic times. Within the band there are various musical adventures that all support each other and the band with their live shows. What the band excel at is their live shows and pretty much given the opportunity will blow any other act out of the water.
Nathan may write pretty much all the lyrics for the band but musically the songs would not sound as they do without the full Ottoman Turks treatment. Joshua might add guitar, Will may change the arrangement while Paul will add drums into the mix. Zootstack Lightnin’ is the first example where Nathan, Josh and Will all get to sing on one song. ‘Militant Preacher’ is a very old song written by Nathan inspired by old spiritual and blues music such as Robert Johnson. It’s a spiritual battle to prepare for whatever the day begins. The music that inspired Ottoman Turks ranges from Tom Waits to Jack White. In this podcast we get to hear ‘Wound Up’, ‘Vaquero’ and ’35 to Life’ which are totally sublime and will make you wish you were back to a time where it was safe to spend time with complete strangers at a mosh pit.
It’s been a struggle to try and reproduce the same live energy and songs that fans that follow the Turks will be familiar with, in this sophomore album they have succeeded in bringing a complete oral history of the Turks music to life. Getting the test pressing of the vinyl and holding that in their hands has been a lifelong dream for all the band. It’s a culmination of the dreams and aspirations of each of these amazing artists. World watch out Ottoman Turks are coming for you be prepared for a musical experience like no other.
Click below to hear the podcast from CloudwatcherUno featuring Ottoman Turks. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
South Texas Tweek is the hero for these uncertain times. His music takes you away and wraps you up in an unique honky tonk blanket of tejano goodness. With a voice of a bygone era he has simultaneously given us something new and delivered us to the time when artists like Webb Pierce roamed the country and western musical landscape. Just like his musical heroes South Texas Tweek (Tyler Heiser) has a genuine love for this genre of music. And it shows from his hours and hours of dedication to his craft of singing and song writing.
Growing up in the Deep South Bible Belt certainly shaped his early years but growing older has meant that his view of the world has both matured and flourished musically. With his first official single ‘Count On Me’ released on his birthday December 2020 Tweek blew the status quo of what listeners were used to out of the water. An acoustic version was out in August 2020 but this fully formed version with the pedal steel and breaks is a different beast altogether.
Its not the first time for Tweek and Charley Crockett to co write a song together. On Charley’s album ‘Welcome to Hard Times’ the track ‘Lily My Dear’ was written with Tweek, Vincent Neil Emerson and Colin Colby on Charley’s tour bus outside a gig at Greek Bros, in El Campo, Texas. Vincent and Charley already had the hook with Charley playing on his banjo. After 30 minutes the song was complete! Tweek and Charley’s friendship has been growing for many years. At first Tweek wanted to be just a songwriter but the urge to stand in front of an audience took over. In September 2020 Tweek took the plunge into the country and western music world.
Tweek’s life and music is an inspiration and this is reflected on his entry into the Texas Music Charts. Patsy Cline, Townes Van Zandt, Guy Clark have all been part of Tweek’s musical education but George Jones is first among equals in his admiration and love for his musical legacy to upcoming artists. In this podcast we get to hear Tweek sing live and acoustically two songs ‘Living Low’ a folk inspired singer songwriter Texas inspired song and ‘Count On Me’ his knockout calling card in the world of music.
The pandemic hasn’t slowed Tweek’s love of hunting and fishing and it’s his way of escaping the isolation of the pandemic. It’s a reminder of a life filled with friends and family that we all strive for. Tweek is looking forward to going out on the road and play some shows. Tweek’s put everything into his music and has an audience that is hungry to see such a new stellar artist live. 2 more songs are coming out from the session he recorded last October 2020. He hopes to tour in the later half of the year with a possible full album by the end of the year. His next release will be ’50 Dollars A Week’ which he co wrote with Charley Crockett coming out on Valentines Day 2021.
Click below to hear the podcast from CloudwatcherUno featuring South Texas Tweek. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Adam Larson & Co are both an individual and a band who tell tales of music from yesteryear with a new modern sensibility. Host CloudwatcherUno sits down with Adam to talk about his personal journey into music. We speak about his album ‘ Long Time Coming Home’ falling in love with his song ‘Ain’t Too Old to Still Die Young’ He is such an old soul in such a young body. He has such a warm resonant voice that connects in that space between your ears and a perfect example is shown in ‘These Colors Never Run’ which you get to listen to at the beginning of the podcast. This was released in 2017 and inspired by Sturgill Simpson and the alt country movement.
A lot of years as a solo artist meant that Adam had a variety of songs that were resting in his phone was the gem that is ‘Long Time Coming Home’ an almost a surf rock goth country sound. ‘Trigger’ is also an amazing song inspired from a conversation about a tree. About what that tree had seen written with his wife. Murder ballads are the songs that Adam likes to produce even though he is the most genuinely happy person you’ll ever meet. It’s the perfect audio accompaniment to a spaghetti western.
During this pandemic Adam has also produced the perfect song for this age called ‘Quarantine’ a perfect blend of comedic genius and homage to Willie Nelson’s ‘On The Road Again’. Go check it out on his Instagram page.
We get to listen to listen to the new single ‘Prairie Wind’ it’s a song deeply rooted in the tradition of Jerry Jeff Walker, John Prine and Johnny Cash a tradition of epic songwriters and storytellers. Adam is the latest in the line of these musical heroes and carries forward the torch of this dark, goth country and western music. For the future Adam and the band are working on new material and producing new songs and hopefully the wait for a new full band album will not be too long.
Click below to hear the podcast from CloudwatcherUno featuring Dan Whitaker. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts
Dan Whitaker is a name you may not have heard of but needs to be on your music radar. His body of work ranges from solo albums like ‘Moving On With You’ and his honky tonk band ‘The Shinebenders’. Dan began his musical journey by listening to Johnny Cash, Grateful Dead and Punk Rock. His first band was more a rock band but slowly he started listening to classic country artists by drowning his sorrows by listening to Kris Kristofferson and Willie Nelson.
Dan started with the saxophone at a young age but then later on learned piano, then bass and then picked up the guitar aged 16 with further tutelage under jazz musicians later in life. Big influences on his music has been Blues and Appalachian music and distilled into his jazz infused country music.
The remastered ‘Moving On With You’ album released in 2020 was and is his most personal album, living in a bad section of Chicago he wrote all the songs due to a combination of isolation and marking another stage in his life by getting married. Dan expressed himself in his songs and then recorded the album in his living room live way back in 1999. ‘Star Crossed Lovers’ and ‘Without Your Love’ are stand out tracks in the album. On the podcast we get to hear ‘August Gray’ a true country and western classic to my ears and ‘Can’t Take It With You’ an absolute gem of a song.
There’s a richness to Dan’s voice that speaks of his experience, the important things in your life, the melodies and threads of the universe speaking to him and coming out as lyrics that speak on a deeper level.
When inspiration strikes Dan tries to use that and write down this seed of a song before it floats away. His dreams act as a way to inspire the melodies and chords in his songs. For the past 15 years he’s been paying with The Shinebenders’ and then when the pandemic he was by himself with the benefit of the band so he started doing livestreams with his older more folk and rock songs.
This time alone has allowed Dan to focus on producing more music by himself. His next album will be a solo album which is full of songs that were left dormant but now will see the light of day. Dan plays 6 different instruments on the album and with support from some of The Shinebenders’. The music world will be a better place for Dan Whitaker an ambassador for honest, heart-breaking and inspiring music.
Click below to hear the podcast from CloudwatcherUno featuring Dan Whitaker. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Third Way combine the best of synth pop and indie electronic music with an alternative spirituality in their sound. Their music is highly addictive, danceable and has mega melodramatic outpouring of emotion in their songs. They have been gigging for about a year at open mic evenings amongst the people and communicating their emotions and making the audience feel each and every track.
In this podcast host CloudwatcherUno sits down with Paul and Xander. Paul handles the synth and Xander handles all the vocals, combined they make dance floor heaven. They have played at The Finsbury in February 2020 (practically a club night), Cafe 1001 and Northcote records before the pandemic stopped them in their tracks. Everyone the musicians and the fans get to benefit on an atomic level from the sounds that emanate from the band.
In this podcast we get to hear two tracks, an acoustic version of their enormous hit ‘Guru’ and studio version of Tides. In 2020 they haven’t been able to be in the same physical space so they have concentrated on producing and evolving their music. ‘Tides’ was released just as the first lockdown came into force so they could only communicate remotely.
There’s a possibility of releasing a fun track called ‘Baby Jesus’ which was composed in a light hearted way but according to friends of the band is the best thing they have have ever produced. There is an originality and honesty to their music. Paul and Xander have been together for the last 7 years and as partners in music their relationship has blossomed. Having played together in previous bands such as ‘The Next De Niro,
Music is a fabulous outlet for these two musicians and helps them to connect on a metaphysical level with themselves and making the best of an isolating situation where luckily they can make music from their home studio. There is a lot of positives on being able to concentrate just on their music and the result will be a release in the form of a new EP later in the year. Watch this space!
Click below to hear the podcast from CloudwatcherUno featuring Third Way. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
The Last Heartbeats are a trio of musicians from Texas who have been travelling along the road of music for quite a while and have now joined together to showcase their unique brand of alt country music. In this podcast CloudwatcherUno sits down with Frank and Ricky to talk about how the band got their name, their experiences of coming through high school bands and different bands. In 2005 Ricky finally decided to take centre stage as other musicians ego’s and attitudes kept getting in the way of making music. People put on a show personality unfortunately that personality takes over their day to day life.
We get to hear an acoustic version of ‘Afraid’ an unreleased track and ‘TexaCali’ the future release for the band. Both songs showcase the bands knack for delivering a killer tune with melodies that reverberate around the space between your ears. It’s a big rock song originally an acoustic song but when Frank plugged into his guitar into Marshall amplifiers did the song come to life. This band has melodies and hooks to spare.
Country today you have ‘Pop Country’, ‘Old School Country’ the band have more layers and textures and the art of the song. They fit into the ‘Alt Country’ but the genre is so wide it gives them the freedom to be a pure country band but at the same time they can release their version of Southern Rock sensibilities.
For the future The Last Heartbeats are looking forward to releasing ‘TexaCali’ in February 2021, laying down some tracks in the studio, making an album and to performing live to an actual audience in a regional basis.
Click down below to hear the podcast from CloudwatcherUno featuring The Last Heartbeats. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
James Steinle is a kindred spirit, a spirit that fills your ears with warmth and wonder. In this first episode of the New Year get ready to really listen to a singer whose voice reaches out from the darkness of the ether to transport you to a magical land. A land of music that runs parallel to ours but echoes the long lost songs of yesteryear. His lyrics and songs sound like lost songs from childhood or something that was on the radio when you were growing up but in fact was released in 2020. In this most horrendous of years music has been our saviour and one of those knight errant taking you on adventures is a boy who grew up in Saudi Arabia, lived in Germany and has now gone back home to South Texas.
CloudwatcherUno sits down with James to talk about ‘Cold German Mornings’ his album released in what conventional A&R thinking would be a complete non starter but for James it made perfect sense when else should you release an album that has songs set in snowy Germany than in winter? The album itself is full of gems that sparkle in the night sky, these are not filler songs but ones that have been polished with care and attention, so that a professor of song writing would mark this album with distinction.
We talk about his thinking behind such songs as ‘ Three Dark Kings’ in which James effortlessly switches between his western cowboy drawl to German. Even though you might not know it is being sung and subtitles would be welcome they aren’t necessary as the feeling and music carries you along with this nativity set song.
Then you have ‘Ein Schnapps, Ein Bier’ a song that wraps its way around your consciousness to make you get up and dance and has so infectious a melody that you’ll be singing it in the shower in no time. Then we switch direction again when we listen to ‘The Lusitania’ about the tragedy that befell this ship and the consequences it had not only for those who lost their lives but for the world as it was the catalyst for ensuring that America joined the western powers in WW1 and bring about the defeat of Germany.
On the album James gets to sing with Juliet McConkey whose voice complements his on so many levels. The couple also join forces on the video for their version of “Christmas on the Line” by Michael Martin Murphey.
Other topics of conversation range from he who must not be named who is currently in The White House, to Gun Control, The reality behind The Bluebird Cafe and it’s lack of authenticity and how to reach a global audience for your music in the age of a pandemic. For more of what we discussed you’ll just have to listen into the podcast! So what are you waiting for an invitation? Go listen to James’s music even better go buy his music because we most certainly want more unique melodies and songs from a one of a kind Texas artist.
James has also just released a new song ‘The Ballad of Wan Hu’ to kick off 2021 in style. It tells the trueish story of the Chinese astronaut Wan Hu and his attempt to leave the earths atmosphere on a chair propelled by 47 rockets!
Click down below to hear the podcast from CloudwatcherUno featuring James Steinle. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Sandee June’s journey into music is an inspirational story that shows it’s never too late to follow your dreams, take up an instrument and make music. In this podcast we get hear an acoustic version of ‘Somewhere Between Hell and a Honky Tonk’ supported by Craig Phillips and Jennifer Rose Toler. Sandee’s natural gift for singing a melody and her fantastic voice are on display in this podcast.
Growing up music was an important part of Sandee James life whether it was James Taylor, Cat Stevens, Linda Ronstadt, Patsy Cline, Loretta Lynn, Merle Haggard. When Sandee turned 50 and ‘Empty Nest Syndrome’ rearing its head in her life she taught herself to play off You Tube. After a year of practicing Sandee wanted to play live. That’s where she was fortunate enough to meet Craig and Jennifer who showed her the way to go as hard and as fast as she could into this new chapter of her life. Sandee plans to keep going from strength to strength from just playing with her guitar to a full band sound.
Sandee has a gift for singing and her love and passion for music radiates from her every pore. Sandee is planning to release an EP in January 2021 and her album in Spring 2021. It’s truly amazing what you can do when you have faith in your own abilities and the passion to deliver on your ambition.
Click down below to hear the podcast from CloudwatcherUno featuring Dalton Mills. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Dalton Mills soul sparkles so brightly you’ll need sunglasses to go with a Hazmat suit. An exceptional lyricist he’s captured the lives, loss and heartaches of the disposed. Like a later day Chekov or Tolstoy he sings about the lonely souls in society, those who have fallen through the safety net and then kept falling with no end insight. His self titled album ‘Dalton Mills’ explores the stories of those who don’t register on the mainstream, who aren’t able to voice their pain and longing in a world where increasingly they are becoming ghosts.
In this podcast we get to listen to two acoustic songs from Dalton they are ‘Tornadoes’ and ‘Mountain Call’ from his majestic album. A labour of love for over a year and a half from taking the songs in lyric form and then with the help of friends, recorded in the back of a record store. The album was recorded just at the cusp of the pandemic, any later and we wouldn’t have such songs out in the world.
Coming from rural Kentucky from the small town of Middlesboro, (a city that’s built in a crater!). Dalton has seen his fair share of those who’ve been affected by drugs, mental health issues and those who’ve been abandoned by their families. Not one for happy songs, Dalton expresses more affinity for songs touched by darkness and damaged people, damaged people are often the most dangerous. They know how to make hell feel like home. Dalton follows in the footsteps of his musical heroes Townes Van Zant, Guy Clark, John Prine in writing and performing songs that matter and connects with an audience who want more than just manufactured pop songs.
Picking up a guitar as a high school student has led Dalton down this path of musical greatness. For the last 5 years Dalton’s been writing songs of a phenomenal calibre. One of the bleakest songs ever put to music is ‘Last Goodbye’ a tale of a bedridden soul, who has lost all hope and waiting to see if he will perish at the hands of his carer. It’s a song that will stay with you hours after you’ve heard it. Go listen to this sensational artist who brings words and stories from the darkest corners of humanity to life.
Click down below to hear the podcast from CloudwatcherUno featuring Dalton Mills. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Born in the USA but brought up in Denmark, J.Tex (Jens Einer Sørensen) grew up listening to Bluegrass music while other children were dancing to Abba. CloudwatcherUno sits down with J.Tex from his home in Copenhagen where we talk about his childhood, travelling to Tennessee as a teenager, his amazing tattoo’s, busking on the streets of Italy, driving trucks on the Faroe Islands and all the while honing his skills and his sound to produce a sumptuous album called ‘Neon Signs & Little White Lies’ from the Heptown Records label.
This is his seventh album and is simply the nest. The album was recorded in Lund, Sweden with the production skills of Tommy Tift. The album was recorded on the same analogue mixing board which produced the hits for ABBA. With this album J.Tex wanted to capture the sound of that live music experience to his audience. Recorded in the studio over three days the music truly captures the electrifying magic that is J.Tex. Jens describes how his songs grow and develop from practice sessions to live performances. Music is his job 24/7, 356 days a year. In this podcast we get to listen to ‘Way Down in The County’ and two acoustic tracks ‘I Told You So’ and ‘Broken Rose’.
J.Tex mixes Americana, Country, Bluegrass and Roots music and influenced by Doc Watson, Norman Blake, Mississippi John Hurt and Lightnin’ Hopkins. Jens music is a melting pot of sound, riffs and melodies that invoke an era of music that is far from the music that comes out of Nashville now. It connects with your soul, mind and body to make you smile and get up and dance.
Click down below to hear the podcast from CloudwatcherUno featuring J.Tex. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and wherever you listen to your podcasts.
Veers are an Anglo – American band based in Los Angeles. They are a fully formed stadium sounding rock and roll band. Their music is dialled up past 11 and you will want to put to volume way way up on your speakers! The band met through high school and a pool party at Los Angeles. Chris was bar backing when Spencer came in and bemoaning the lack of a great drummer. The rest as they say is history and the current line up has been together for 2 years.
We get to listen to two tracks ‘Dials’ and ‘Universal Reversal’ which are off the new album that isn’t released yet. During the podcast CloudwatcherUno discusses with the band the benefits of drinking whiskey as a pre vocal warm up. The sound of Veers is aggressive rock and roll that projects the big rock sound that fills auditoriums with a life affirming way. Everyone brings their unique talents to the band which delivers a chunky jagged melodic sound.
Melody is a key to these heavy songs and that connects these musicians to their fans. Beat driven, harmonies abound throughout their music. Good tones are what will hook you into this band. Their music provides a smile on your face which in these pandemic times is a rare commodity.
You can find the influences of Nirvana, Cream and Pete Townsend in these artists. Its the camaraderie between the band that brings out the best in Veers music. It’s a loud heavy music connection that will make the cells in your body crackle with electricity.
You can catch the band with new live videos every Friday on YouTube which displays their pyrotechnic guitar playing, heavy drums and vocals to their best. Listening to their music will make you lift your body from this mortal realm and reach musical heaven.
Click down below to hear the podcast from CloudwatcherUno featuring Veers. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Roscoe Parker Band needs to be on your music radar. You definitely need to listen to ‘You Might Get Lost, You Might Get Hurt’ it’s a fantastic album full of hidden gems and lyrics that make you want to get up and dance. It’s taken six years to get here but it’s been worth the wait. You’ll think your listening to a mid western country artist except he comes from Malmo, Sweden. Yes, Sweden. The music scene from these countries is breaking through onto the country and western scene.
Growing up in southern Sweden, Rickard’s idol was Bruce Springsteen. Who didn’t want to be Springsteen eh? In this podcast we get to hear three songs from the latest album ‘You Might Get Lost, You Might Get Hurt’ and they are ‘Jackson Town’ ‘Let It Burn’ and ‘Still Drinkin’ My Beer from a Can’. The last song Rickard had help from Daniel Hollow but essentially its a biographical song about how deep down you can’t forget your roots.
We discuss factory made music versus independent artists and the struggle to keep your music authentic and not just a product for the masses. Roscoe Parker Band shows how much fun you can have with the country and western genre. His music combines the best of honky tonk with a clean 21st century sound. Inspiration comes at any time for these songs, from being outside running and walking, cooking in the kitchen even being in the bathroom!
For the future there are already three or four songs already prepared for the second album. I for one can’t wait to hear these on this future album.
Click down below to hear the podcast from CloudwatcherUno featuring Roscoe Parker Band. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
The Spellemann (Norwegian Grammy) award winning Sweetheart have just released a new self titled album ‘Sweetheart’ released by the label Mother Likes It Records It’s a phenomenal achievement for this band and one that places them on the music map. Sweetheart are John-Arne Gundersen and Anne Mette Hårdnes and hail from Norway. In 2003/4 Sweetheart was a three piece collective and then more of a country rock band. After a 14 year absence in 2018 the band was reformed into a more melancholic sounding band that currently tugs at your heart strings that carries you along into a different universe full of longing and memories of what could have been.
The new self titled album ‘Sweetheart’ explores the sense of missing something or someone. The songs feel like poems brought to life by the intense ghostly vocals that lay open the human condition.
We get to hear the acoustic version of ‘Leaving for Stockholm’ which describes the true life experience of what it feels like when someone you love leaves to travel away from the family home. We also hear the acoustic track ‘Can We Make It Out Of Here Alive’ a song that could be an anthem for 2020. There’s also a favorite of mine ‘The Pines By The River’ that opens the podcast.
Being a musician was always a childhood dream for Anne Mette and one that she always wanted to follow through into adulthood. Meeting John-Arne has focused her energies with his in producing an album that channels her beautiful voice to full effect. The turning point for John-Arne was listening to the album ‘Heartbreaker’ from Ryan Adams.
Click down below to hear the podcast from CloudwatcherUno featuring Sweetheart. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Joshua Ray Walker has the voice that you find only once in a generation. Once you’ve listened to tracks such as ‘Loving County’ where he yodels his heart out and produces a spine chilling effect down your back. Not since Dwight Yoakum and Slim Whitman has there been an artist who can combine the craft of singing, yodelling and lyrics that hit you right between the eyes to such an effect.
Joshua’s music makes you want to think, cry and dance all at the same time. This is an artist who at his peak did 280 shows a year and only slowed down to release his first album ‘Wish You Were Here’. In the fall of 2019 he started his first Scandinavian where he discovered first hand the European love for all things country and western.
Growing up in East Dallas Joshua would spend his time with his grandfather and was inspired for his love for bluegrass, soul funk and afrobeat music. Joshua loves the diversity of where he lives and enjoys the melting pot of cultures especially tejano music that influenced him coming out of backyards and continues to influence his music.
Joshua tells the story behind ‘Fondly’ which was the first song he ever wrote. It was important for Joshua to have this song on his first album. The song was inspired by his love for his grandfather and the loss that he felt when he passed away. Without his grandfather teaching Joshua in his workshop and the many instruments that he could pick up as young boy we wouldn’t have the magic of the albums that we have now.
Joshua’s songs deal with subjects as diverse as underage sex workers, suicide, heartbreak and other intrinsic emotions that make the human condition. Joshua is inspired by those who feel downtrodden and who have fallen through the cracks of society. Its these characters that Joshua breathes life into through the genius of his music.
Click down below to hear the podcast from CloudwatcherUno featuring Joshua Ray Walker. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Will Purdue is a man of many talents, singer, songwriter, fashion icon (check out the fantastic ensemble he wore on the podcast) and renovator of tour vans (go to @tourbustravels on Instagram for all the detail).
Positivity simply oozes out of every pore from this fantastic artist. Will’s voice is the richest baritone that amazes and spellbinds his audience. Will is a true connoisseur of fashion and heartfelt lyrics enhanced with stunning vocals. His performance on stage comes from a confidence that he wants to show his true self to his fans rather than a persona. Influenced and inspired by Leonard Cohen and Neil Young in his approach to song writing Will has a body of work that just keeps better and better.
In this podcast we get to hear acoustic versions of ‘I Don’t Think We Should Rush In’ and the the new single ‘Heart On Fire’ A Song for Riona & Keith from the band released on 19th October 2020.
This song is both a celebration of the love story of Riona and Keith and their journey together. Aged 34, Riona Kelly fell down the stairs, suffered a rare spinal stroke, and was left paralysed. Her husband then left her whilst she was in the hospital, and she became a disabled single mother of four children. However, not only can she walk, she can jump (and even scoot!). She found love with ex rugby player, Keith Mason, who began helping with her physical recovery, and they kept in touch, and the rest is history. With an incredible amount of perseverance and support, Riona is now walking, and planning to walk 100 miles to raise money for her further rehab.
All of the record sale proceeds will go directly to Riona’s recovery, and any extra will go into a foundation. Will was chosen for the project for his ability to convey both sides of a story within a song, and the track features both the darkness ‘To see the fear in all I hold dear’ and the incredible light of their journey ‘Here we stand, I’ve never been so proud’ The song was recorded on a stunning riverboat studio in London.
The song is out on iTunes and available as purchase only (no streaming, as they need to raise funds).
Click down below to hear the podcast from CloudwatcherUno featuring Will Purdue. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
CloudwatcherUno sits down with Jason Michael singer/songwriter from New Ellum. The band may be new but these are all experienced musicians who’ve paid their dues to the gods of music. To make the sound of New Ellum you have singer/songwriter Sabrina Taylor-Mesh, drummer Ed Chaney, guitarist Mick Tinsley, bass player Randy Morris and fiddle player Orion Pitts. With Jeff McMullen on keys and John Solis on drums to round out the tracks with other musicians.
Born in Lakenheath, Suffolk, England Jason and his family moved back to Texas, where Jason followed his passion as a working musician. Having spent his formative career in Texas, Jason travelled to New Orleans and Los Angeles, coming back to live in Dallas. Returning to his roots Jason wanted to record new songs for a solo album but as it progressed with fellow musicians and players on the tracks New Ellum was formed. A brilliant twist to promote their music New Ellum have produced unique videos for ‘Devil’s Band’ featuring stop motion Lego animation and the comic book animation of ‘Wedding Ring’.
In this podcast we get to hear ‘Wedding Ring’ with acoustic versions of ‘Houston Radio’ the new single from the band released on 16th October 2020. We also get treated to an acoustic version of ‘One Short Minute’ an unreleased track.
The pandemic might have brought many plans to a halt but it can’t stop music. Music comes from the soul and its a universal language for the world to enjoy. If your looking for a true music connection then go listen to New Ellum. They are a band who deserve your full undivided attention.
Click down below to hear the podcast from CloudwatcherUno featuring New Ellum. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
Katrina Burgoyne hails from the land of Oz and clicked her heels to travel to Nashville. Music has been her passion, her life, her reason for living. Trying to squeeze everything into three suitcases, grabbed her guitar with her life savings of $15,000 dollars and landing in a country where she didn’t know a soul. Katrina took that leap of faith to follow her dreams.
Having grown up in Gunneda in north-eastern New South Wales, Australia. The young Katrina listened, played and absorbed country music into her DNA. An hour away was the town of Tamworth a city famous in Australia as an antipodean Nashville. Katrina was soon adopted by the musicians who would look back on awe as a 12 year old took to the stage.
In this episode Host CloudwatcherUno sits with Katrina and they talk all things lyrics, songwriting, the best way to grab the attention of cows, why it always rains in Manchester and channeling her passion for music into a way of life.
Katrina talks about what it takes to make it in a new country and making her mark on the centre of country music that is Nashville. We talk about how focusing her energies on the positive has resulted in meeting her producer Steve Kinney (and partner).
Releasing her latest single ’25 Cents In The Ashtray’ and how she is trying to reverse the cliche of the struggling artist to a successful household names like Keith Urban and Morgan Evans. So dream big and believe you can make them a reality just like Katrina Burgoyne. An artist who will grow from strength to strength.
Click down below to hear the podcast from CloudwatcherUno featuring Katrina Burgoyne. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
So Are We are a phenomenal duo who are a refreshing change in the world of Americana music. Guro’s voice is precisely the breath of fresh air you need in your music streams. And add Stian’s dreamy guitar and you’ve got a killer combination to make sure you have their songs playing on repeat.
In this podcast CloudwatcherUno sits down with Guro and Stian to talk about growing up in their native Norway and being exposed to the English language in all its forms from movies, television and most importantly music. It’s their mutual love of music that brought them together not only as songwriters but as a couple. In this podcast we get to hear two acoustic songs ‘Be Alright’ and ‘Alive Again’ with ‘LA Love’ as a bonus track.
We also discuss what it takes for artists to create, produce and release music in these pandemic times and what drives Guro and Stian to want to showcase their sound onto the global stage. Norway has seen an explosion of singer songwriters who have carved out a place for themselves in this uniquely western of genres.
Having just released their latest single ‘LA Love’ from their upcoming album ‘Piece of the Puzzle’ out on 9th October 2020 the talented duo are making sure their musical vision is being heard loud and clear.
Click down below to hear the podcast from CloudwatcherUno featuring So Are We. Also streaming on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict and many other platforms.
William Poyer is as unique as his music. An outstanding lyricist whose words come to life with a passion and haunting elegance that goes beyond poetry into the sublime spoken word of fellow artists Ray LaMontagne and Jason Isbell.
In this podcast CloudwatcherUno sits down with William and discuss his adventures in Mexico City, taking the brave step of moving across the world to find himself and learning to focus on his music and meeting fellow musical souls such as Jairus McDonald and José (Tato) Grageda from the band Peregrino. In those years he learnt a new language, met his wife and they have a beautiful baby boy.
William has supported Great Lakes Band and Ferris and Sylvester on tour and has performed on stages large and small to connect with audiences with his music. In this podcast we get to hear two acoustic songs ‘Where Do I Begin’ and an unrecorded song ‘Forgiven’ which he will record in the home studio of Ferris and Sylvester.
For William his passion has always been the acoustic guitar and from there his love of creating hooks, melodies to connect with audiences on an emotional level. William gets to showcase these talents on 10th October by performing in a socially distanced gig at the Old Joinery in Greenwich and a premiere a documentary about artists performing at the Spiritual Bar in Camden on October 22nd / 23rd 2020. Tickets for this event will be out shortly.
Click down below to hear the podcast from CloudwatcherUno featuring William Poyer. Also available on Apple Podcasts, Spotify, Google Podcasts and many other platforms.
Peregrino is a distillation of four souls with their own unique musical experiences brought together by the love of music. Music that is cinematic, orchestral, folk and americana with a latin twist. In their latest album ‘Feels Like Leaving’ the band have captured the spirit of Ennio Morricone and the stunning aural landscape of those westerns with lyrics that merge heartbreak, loss, love and desire with an authentic sound that’s hard to manufacture without living these stories.
In this podcast CloudwatcherUno sits down with Jairus McDonald (lead vocal, acoustic guitar, harmonica) and Eric Miller (electric guitar and back up vocals) you try getting four musicians to be in one place I dare you! We talk about how the pandemic has strangely given these musicians a level playing field in which to focus, write, produce and film videos for their songs. In these times live performances are a distant memory for musicians across the globe so now is the time to reflect and produce art that will inspire, make people dance and warm their souls. This is what we get with the acoustic versions of ‘Fire Away’ and ‘In Your Garden’. We also get to listen to ‘Gather Up Your Daisies’ one of my favourite songs in the album.
Are songs poetry, can they be things of beauty? Certainly in some genres the spoken word is given is given life in Hip-Hop but can it work in other genres. The answer is yes especially in Folk Music where the care and attention in bringing a song to life from idea, to the studio and then to an audience takes a certain dedication and arrogance to say to the world ‘Look at This!’ Give me your whole attention from your beer and your phone to listen to such songs as ‘My Revolution Days’.
Sometimes music chooses you or you choose the music. In Peregrino’s case it was a fine line between a life of academia and other paths to one where music in all it’s glorious aspects has now become the only way forward for these musicians. For the future Peregrino will continue to make music and write songs as unique as their shared history and the world is a better place for it.
Click down below to hear the podcast from CloudwatcherUno featuring Peregrino. Also available on Apple Podcasts, Spotify, Google Podcasts and many other platforms.